A long term plan to get the fabled Fairlie inheritance starts to go awry the second visiting artist and art instructor Gig Young comes to the Fairlie estate in Great Britain. He runs into the Woman In White, a rather strange young lady and then a coach with people in it looking for same. He decides to pretend he knows nothing.
Our heiress Laura Fairlie and the mysterious Woman In White are both played by Eleanor Parker. Almost up to the end I had trouble figuring out exactly what the relationship was between the two Eleanors so I will not say. It's half the fun of watching the film.
There's a pair of villains in the piece Sidney Greenstreet playing Count Fosco, playing him with the same avuncular malice as Casper Guttman. He's a scientist with a title like Baron Von Frankenstein. But rather than experimenting with dead bodies, Fosco prefers to work on the mind with chemicals and intimidation. He's getting a big payoff for arranging the marriage between Parker the heiress and a rapacious no account count John Emery. The only friend the heiress has in the house is companion Alexis Smith.
My favorite in the film is John Abbott who is Parker's father who has the constitution of a napkin and makes Adrian Monk look hale and hearty with all his phobias. Greenstreet and Emery intimidate him rather easily.
Second favorite is Agnes Moorehead who is the countess Fosco and with very little dialog, but much facial expression is the picture of a woman scorned.
This Victorian Gothic drama has one fine cast of scene stealers all working overtime for your enjoyment. The end is unforgettable.
Our heiress Laura Fairlie and the mysterious Woman In White are both played by Eleanor Parker. Almost up to the end I had trouble figuring out exactly what the relationship was between the two Eleanors so I will not say. It's half the fun of watching the film.
There's a pair of villains in the piece Sidney Greenstreet playing Count Fosco, playing him with the same avuncular malice as Casper Guttman. He's a scientist with a title like Baron Von Frankenstein. But rather than experimenting with dead bodies, Fosco prefers to work on the mind with chemicals and intimidation. He's getting a big payoff for arranging the marriage between Parker the heiress and a rapacious no account count John Emery. The only friend the heiress has in the house is companion Alexis Smith.
My favorite in the film is John Abbott who is Parker's father who has the constitution of a napkin and makes Adrian Monk look hale and hearty with all his phobias. Greenstreet and Emery intimidate him rather easily.
Second favorite is Agnes Moorehead who is the countess Fosco and with very little dialog, but much facial expression is the picture of a woman scorned.
This Victorian Gothic drama has one fine cast of scene stealers all working overtime for your enjoyment. The end is unforgettable.