Maybe it would have been a good movie, but for my taste has a big mistake, it's too long telling us things at the beginning that we do not care. Once presented the protagonist character, it is not necessary to see more times the same thing. There are many characters that do not tell us anything. And this only makes us bored.
Adèle Haenel is fine, slightly cold for my taste, but it is that the film is very cold, too. For what counts should be what, but the problem is when the coldness is no longer achieved by photography, it does, but it gives the Dardenne brothers a movie without heart.
It has a photograph that, to be French and typical French, at times, even something, but there are other moments that photography is not good.
The obsession to make every plane sequence, leads to there are times when you do not see the actors, you want to make the plane in sequence about what you want to tell us and that is bad. The sequence plane is a narrative tool more, not an end. The management focuses on telling the story, but in a bad way, it does not matter the plane, the staging, photography. If you have to make an ugly camera move you do it instead of putting the camera where you should put it.
I have largely remembered Citizen Kane, since it is the search for a name, only in this one, Orson if he cared that all aspects would fit well.
Adèle Haenel is fine, slightly cold for my taste, but it is that the film is very cold, too. For what counts should be what, but the problem is when the coldness is no longer achieved by photography, it does, but it gives the Dardenne brothers a movie without heart.
It has a photograph that, to be French and typical French, at times, even something, but there are other moments that photography is not good.
The obsession to make every plane sequence, leads to there are times when you do not see the actors, you want to make the plane in sequence about what you want to tell us and that is bad. The sequence plane is a narrative tool more, not an end. The management focuses on telling the story, but in a bad way, it does not matter the plane, the staging, photography. If you have to make an ugly camera move you do it instead of putting the camera where you should put it.
I have largely remembered Citizen Kane, since it is the search for a name, only in this one, Orson if he cared that all aspects would fit well.