Since every human being is constantly tethered to their bodies and their perception of the world through that body, the curiosity of what life is like from another person's perspective is intrinsic to human nature. So what if the person whose body you could inhabit was critically acclaimed actor John Malkovich? And what if the portal to his mind was in an office with a low ceiling because it was in between two floors of a skyscraper? "Being John Malkovich" answers both of these questions and many more with a surprising amount of insight and depth.
Craig Schwartz is a struggling puppeteer performing on the streets of New York to an audience who doesn't want him. He has a wife, Lotte, but they are clearly somewhat distant from each other, and she is often at work or trying to convince him to get a job. Finally, he obliges when money runs low, and he ends up filing cabinets at the odd floor 7 1/2. It's telling that his boss thinks that he has a speech impediment because his assistant has trouble hearing and often misinterprets his words: the only window into how he is perceived by others is filtered through the imperfect perceptions of those around him. In this office he sees Maxine Lund and slowly becomes desperate for her, even acting out a romantic encounter with her with his puppets while proclaiming it's the chance to feel what someone else feels that draws him to puppeteering. Soon after he stumbles upon a window into a man's brain, and while John Malkovich may have seemed like a random choice by screenwriter Charlie Kaufman, I don't think it's an accident that the man they begin to live through is an actor himself, constantly trying to immerse himself in many different roles and different lives. As Craig and Lotte soon find out, completely changing their role and appearance in life helps them to further discover who they are and what they want. By discovering that her true self is not the gender or appearance or age that their assigned, Lotte realizes she feels more comfortable as a man. Of course, they do begin to exploit this sudden discovery as most human beings would do. Maxine does it for control, and Craig does it for Maxine's adoration, but it is only a matter of time until Malkovich himself finds this portal.
Malkovich inevitably entering this portal himself could've been handled in a plethora of ways, but how it is handled is brilliant, funny, thought provoking, and it deepens the themes of the film. It shows how our mind ultimately compares everyone around us to ourselves because it is all that we have to compare to, and it also shows how many different versions of oneself exist within one's own mind, each revealing themselves at different times. And this isn't even the last big surprise of the movie. The climax exists entirely in Malkovich's subconscious. Although even through all of the film's heady ideas and absurdism it remains a very fundamentally human film. As Craig gets a hold of controlling Malkovich, they toy with the idea that one's position in life and preexisting image often dictates their success, but the surprisingly tragic ending reveals that what is at the core of who Craig is, regardless of the body he inhabits, is who he desires, and this is ultimately what dictates his actions, and it isn't hard to see that this desire is what dictates every other character as well, especially when the person one desires is just out of reach.
Craig Schwartz is a struggling puppeteer performing on the streets of New York to an audience who doesn't want him. He has a wife, Lotte, but they are clearly somewhat distant from each other, and she is often at work or trying to convince him to get a job. Finally, he obliges when money runs low, and he ends up filing cabinets at the odd floor 7 1/2. It's telling that his boss thinks that he has a speech impediment because his assistant has trouble hearing and often misinterprets his words: the only window into how he is perceived by others is filtered through the imperfect perceptions of those around him. In this office he sees Maxine Lund and slowly becomes desperate for her, even acting out a romantic encounter with her with his puppets while proclaiming it's the chance to feel what someone else feels that draws him to puppeteering. Soon after he stumbles upon a window into a man's brain, and while John Malkovich may have seemed like a random choice by screenwriter Charlie Kaufman, I don't think it's an accident that the man they begin to live through is an actor himself, constantly trying to immerse himself in many different roles and different lives. As Craig and Lotte soon find out, completely changing their role and appearance in life helps them to further discover who they are and what they want. By discovering that her true self is not the gender or appearance or age that their assigned, Lotte realizes she feels more comfortable as a man. Of course, they do begin to exploit this sudden discovery as most human beings would do. Maxine does it for control, and Craig does it for Maxine's adoration, but it is only a matter of time until Malkovich himself finds this portal.
Malkovich inevitably entering this portal himself could've been handled in a plethora of ways, but how it is handled is brilliant, funny, thought provoking, and it deepens the themes of the film. It shows how our mind ultimately compares everyone around us to ourselves because it is all that we have to compare to, and it also shows how many different versions of oneself exist within one's own mind, each revealing themselves at different times. And this isn't even the last big surprise of the movie. The climax exists entirely in Malkovich's subconscious. Although even through all of the film's heady ideas and absurdism it remains a very fundamentally human film. As Craig gets a hold of controlling Malkovich, they toy with the idea that one's position in life and preexisting image often dictates their success, but the surprisingly tragic ending reveals that what is at the core of who Craig is, regardless of the body he inhabits, is who he desires, and this is ultimately what dictates his actions, and it isn't hard to see that this desire is what dictates every other character as well, especially when the person one desires is just out of reach.