Baby Driver falls perfectly in line with Wright's previous films in style, but offers a bit more in dramatic tone and a little less in comedy. The film still has plenty of funny moments, but it depicts a slight change in direction for him and one that hopefully opens more doors for original films.
Baby, that's B-A-B-Y, is the getaway driver for a wealthy criminal, Doc, who plots out the heists and never uses the same crew twice. Baby insists he is done after one last job, but Doc is willing to threaten the lives of the people Baby loves, including his new waitress girlfriend Debora, if he doesn't pull one more stunt.
Going into a Wright film, you have a sense of what to expect. Hot Fuzz was a parody of action films to the point where a simple moment of putting on your jacket was made to look like a chaotic action sequence. With Baby Driver, Wright continues this style, but squarely plants the film itself into that world that Hot Fuzz was parodying. This is done with self awareness though, and never becomes a problem. Instead, it highlights the originality of the film and the world Wright has created. It's a heightened reality and music plays an important role in it. To the point where it feels more like a love letter to music than heist films. This is even more apparent when you realize that we never really get to see the heists. We stay with Baby in the car and subvert those expectations. We are with Baby and his music the whole way.
As I said earlier, music is important to this film and ever aspect of it revolves around that. Camera work, action sequences, character movements, dialogue, plot devices, the list goes on. For something that important, the music should be good. Wright manages to explore enough genres to please most people and I found myself really digging the playlists. Music is Baby's world and we live in it for 2 hours almost non-stop. To the point where when there is no music playing, it feels out of place. I fully expect people to go out and buy the soundtrack and at no point did I feel as if any of it was forced, like Suicide Squad.
I guess you want to know about the car chase sequences, those are thrilling for people looking for excitement. Wright gives us enough unique moments to make those memorable and it's needed because car chases are a staple in Hollywood movies. You want to see something new and Baby Driver delivers enough of a spin to make it seems fresh. The film balances itself out with plenty of small quiet sequences that focus on character. Baby's dedication to take care of his aging foster father is touching. They communicate through sign language, which adds another layer to the complicated character that is Baby. Then we have some tender moments with Baby and Debora. A love at first sight relationship that blooms due to charm, appreciation of music and the aspirations to just be on the open road.
Baby Driver is stylish and charges to you at full speed. With the camera almost constantly moving, it never feels slow, even in those quiet moments. The cast nail their roles with just a hint of self awareness. Spacey can be intimidating in his sleep and Foxx has no problem playing someone with a few screw lose moments. At the very least, when you walk away from this movie you can say that you had a fun time, this movie has plenty of those moments to make it great.
Baby, that's B-A-B-Y, is the getaway driver for a wealthy criminal, Doc, who plots out the heists and never uses the same crew twice. Baby insists he is done after one last job, but Doc is willing to threaten the lives of the people Baby loves, including his new waitress girlfriend Debora, if he doesn't pull one more stunt.
Going into a Wright film, you have a sense of what to expect. Hot Fuzz was a parody of action films to the point where a simple moment of putting on your jacket was made to look like a chaotic action sequence. With Baby Driver, Wright continues this style, but squarely plants the film itself into that world that Hot Fuzz was parodying. This is done with self awareness though, and never becomes a problem. Instead, it highlights the originality of the film and the world Wright has created. It's a heightened reality and music plays an important role in it. To the point where it feels more like a love letter to music than heist films. This is even more apparent when you realize that we never really get to see the heists. We stay with Baby in the car and subvert those expectations. We are with Baby and his music the whole way.
As I said earlier, music is important to this film and ever aspect of it revolves around that. Camera work, action sequences, character movements, dialogue, plot devices, the list goes on. For something that important, the music should be good. Wright manages to explore enough genres to please most people and I found myself really digging the playlists. Music is Baby's world and we live in it for 2 hours almost non-stop. To the point where when there is no music playing, it feels out of place. I fully expect people to go out and buy the soundtrack and at no point did I feel as if any of it was forced, like Suicide Squad.
I guess you want to know about the car chase sequences, those are thrilling for people looking for excitement. Wright gives us enough unique moments to make those memorable and it's needed because car chases are a staple in Hollywood movies. You want to see something new and Baby Driver delivers enough of a spin to make it seems fresh. The film balances itself out with plenty of small quiet sequences that focus on character. Baby's dedication to take care of his aging foster father is touching. They communicate through sign language, which adds another layer to the complicated character that is Baby. Then we have some tender moments with Baby and Debora. A love at first sight relationship that blooms due to charm, appreciation of music and the aspirations to just be on the open road.
Baby Driver is stylish and charges to you at full speed. With the camera almost constantly moving, it never feels slow, even in those quiet moments. The cast nail their roles with just a hint of self awareness. Spacey can be intimidating in his sleep and Foxx has no problem playing someone with a few screw lose moments. At the very least, when you walk away from this movie you can say that you had a fun time, this movie has plenty of those moments to make it great.