6/10
Generic Sixties Italian War Film - still okay though
15 July 2017
As much as I love Italian cinema I'm not much for these sixties war films - every single one of them is a rip-off of The Dirty Dozen, but when I spotted Aldo Sambrell wearing a turban my index finger jabbed the record button on the remote so hard I'm sure I broke a bone.

As well as an Italian imitating an Indian, we have Jack Palance sporting some sort of Scottish accent (it's says on the IMDb that it's Irish? That's even worse) and some terrible miniature effects, but the usual story of a bunch of Allied misfits sent behind enemy lines to do something or other is so dreary it still manages to end up being a boring experience.

Jack is Colonel Haggis McKiltguy, raging in a really bad way about his last mission, where his entire platoon got wasted. He's all out to give up on all this army business, until he learns that his opposite number in the mission is the German guy in command of that last mission, Major Bratwurst Von Laderhosen. He signs up for the mission pretty shortly after that! However, he needs a new platoon - how about that bunch of jerks acting like jerks in the jerk squad. You know, all them criminals? That doesn't sound like the Dirty Dozen at all!

So Jack and his bunch of Italian and German actors pretending to be British (except the guy pretending to be Indian) head of to Normandy to do some stuff that'll help the D-Day invasion. You've also got a sub plot about the German guy not being so bad, trying to warn his command about the invasion and going head-to-head with the SS, but who cares? It's the usual barrage of sneaking, knifing, wearing the enemie's uniforms, possible double crossing (hinted at then forgotten), paper thin romance, and confrontation that you get in these films.

There were some laughs to be had from the miniature work at the end (I rewound to see that tiny dummy flying out of the train carriage) and was tickled pink as the last scene seemed to show Jack throwing his gun away and giving up the life of a soldier, then seemingly remembering that he can't actually leave the army that way and picking his gun up again.

I'm sick of these Umberto Lenzi films! Give me an Umberto Lenzi film!
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