Euro-horror star Paul Naschy (a.k.a. Jacinto Molina) made a creditable directing debut with this gruesome and exploitative tale, packed with gorgeous women and pervasive Old World atmosphere. He also stars as Bernard de Fossey, magistrate and witch hunter in the 16th century. He and his cohorts arrive in the Peyriac region of France, determined to seek out sinners and transgressors. He meets a stunning young woman, Catherine (Daniela Giordano), who bewitches him. She loves another man, but when that man dies under suspicious circumstances, she's willing to align herself with Satan to see justice done.
"Inquisition" is not for the squeamish, what with its unflinching shots of torture. It doesn't dwell on these scenes any longer than unnecessary to make its point, though. Still, many viewers will wince at the sight of a girls' nipple getting twisted right off her breast. And there are some very fine looking young women here, showing off their birthday suits to great effect. Naschy did know how to please the exploitation loving crowd.
Of course, he also delivers what is considered to be one of his best films (if not THE best). He cannily captures a historical period of great ignorance, superstition, and fear, when innocent people could be persecuted, and confess to acts of witchcraft just to get the torture to stop. At the same time, there is at least one dissenting voice: the local surgeon, who dares to venture the opinion that people like De Fossey may be acting hastily.
Naschy gives one of his finest performances as the tormented De Fossey, and also gets to strut his stuff by playing The Devil and The Grim Reaper as well. Giordano is a stunner, and does a convincing job of portraying righteous indignation. A standout supporting performance comes from Antonio Iranzo as the resentful, one eyed manservant Renover, who gets back at those women who spurn his advances by accusing them of being witches.
Overall, this is a solid film notable for some ambiguity and a lingering, grim nature.
Seven out of 10.
"Inquisition" is not for the squeamish, what with its unflinching shots of torture. It doesn't dwell on these scenes any longer than unnecessary to make its point, though. Still, many viewers will wince at the sight of a girls' nipple getting twisted right off her breast. And there are some very fine looking young women here, showing off their birthday suits to great effect. Naschy did know how to please the exploitation loving crowd.
Of course, he also delivers what is considered to be one of his best films (if not THE best). He cannily captures a historical period of great ignorance, superstition, and fear, when innocent people could be persecuted, and confess to acts of witchcraft just to get the torture to stop. At the same time, there is at least one dissenting voice: the local surgeon, who dares to venture the opinion that people like De Fossey may be acting hastily.
Naschy gives one of his finest performances as the tormented De Fossey, and also gets to strut his stuff by playing The Devil and The Grim Reaper as well. Giordano is a stunner, and does a convincing job of portraying righteous indignation. A standout supporting performance comes from Antonio Iranzo as the resentful, one eyed manservant Renover, who gets back at those women who spurn his advances by accusing them of being witches.
Overall, this is a solid film notable for some ambiguity and a lingering, grim nature.
Seven out of 10.