Ken Russell's inflamed, flamboyant masochistic fantasies belong to their own sub-genre: nihilistic mini-epics designed to shock and repulse. Of course, it isn't Russell's thing to simply be shocking--he's much too tickled by his own blasphemies to stop there. The filmmaker wants to transcend cinematic controversy by desecrating everything mainstream audiences hold sacred. I imagine the crowds seeing "The Devils" in the early 1970s left the theater beaten and bowed (or, perhaps morbidly amused), most-assuredly talking about the director's visual conception of the material rather than the story or the performances. Too bad, as Oliver Reed and Vanessa Redgrave are boldly compelling here, oozing sex and hysterical charisma as a whore-loving Catholic priest and a disfigured nun in 17th century France. In the town of Loudun, Father Grandier runs roughshod over the sniveling, power-seeking Baron de Laubardemont, who seeks to discredit the popular priest with an accusation of witchcraft by exploiting a confession of lust from the hunchbacked Sister Jeanne. Soon, the Baron and a lunatic 'exorcist' have all the nuns in the convent believing they are bewitched, leading to the film's most infamous sequence, a mass sham exorcism (naked nuns writhing in lust, slavering at the mouth and desecrating a statue of Christ). It is to Russell's credit that his actors do not come off looking foolish (except for a scene in which Redgrave, horrified at the news that Grandier has taken a wife, nearly shoves an entire rosary in her mouth); however, the film is monstrously ugly in a monotonous way that Russell probably didn't intend. The recklessly brazen, freakishly surreal images eventually blur together in one's mind, no longer highlighting individual sequences. Russell doesn't necessarily let the picture to get away from him as much as he allows it to become one big heap of horrors. Alas, "The Devils" is no longer disturbing because the audience is systemically benumbed by the director's check-list of atrocities. By the time we get to an elongated public burning, our thoughts may have moved on to other matters...such as, "Just how did Russell talk his actors into doing these things?" ** from ****