This is a film about a gunslinger who owns a machine gun that's also a sewing machine, a nun who is a secret agent like James Bond, and a Russian Prince who does Cossack Kung Fu – Let's see what IMDb commentator Ed the C has to say about it:
QUOTE "How did Mexico get Revolvers before the US Army in the Civil War? Maximillian's reign in Mexico ended just before the Start of the American Civil War. Amazing. The Revolver was Brand new Technology at the Start of the Civil War. First guns were a powder Charge and pellet, the Movie Shows a rapid firing revolver which was not introduced until the early 1870's. In 1847 appeared the First Colt Revolvers used by the Texas Rangers. But it was not a "Fan" firing revolver seen in the Movie. The War against the Comanche's an early version of the Revolver was used but it was hammer-less thus incapable of fan Firing."
Thanks, Ed the C – your last name has three letters missing from it.
This is one of Guiliano Carnimeo's daftest, and therefore most entertaining, Westerns, For his fourth film of 1971, George Hilton plays anti-hero who rescues a Mexican general from execution by using his machine gun/sewing machine combo on the Mexican army. The general then gives him the task of recovering some valuable jewellery, but of course there's a gang of hoodlums after it too (led by the usual corrupt businessman), and a nun who is a secret agent, and an uppity Russian prince who blows up bad guys with a guitar doubling as a rocket launcher.
This film is not about realism, you might get that when George uses a birthday cake with dynamite for candles to blow up the bad guys, or when he puts laxative in their food and they all crap themselves, or when he shoots someone over his shoulder without looking. Or how about when the nun climbs up a telegraph pole and uses a gadget to send a message in morse code?
I don't know how he does it, but Guiliano Carnimeo manages to find the balance between comedy and violence that is painfully lacking in other Westerns about this time. Maybe they just don't go far enough, but Carnimeo packs the film with absolute madness, and then turns the film into an eighties action flick at the end for good measure! I suppose George Hilton helps, with his Latin charm and quips (some of which make no sense) – looks like there was a sequel to this one too!
Oh, good music as well, plus, the cinematography is by future director Stelvio Massi!
QUOTE "How did Mexico get Revolvers before the US Army in the Civil War? Maximillian's reign in Mexico ended just before the Start of the American Civil War. Amazing. The Revolver was Brand new Technology at the Start of the Civil War. First guns were a powder Charge and pellet, the Movie Shows a rapid firing revolver which was not introduced until the early 1870's. In 1847 appeared the First Colt Revolvers used by the Texas Rangers. But it was not a "Fan" firing revolver seen in the Movie. The War against the Comanche's an early version of the Revolver was used but it was hammer-less thus incapable of fan Firing."
Thanks, Ed the C – your last name has three letters missing from it.
This is one of Guiliano Carnimeo's daftest, and therefore most entertaining, Westerns, For his fourth film of 1971, George Hilton plays anti-hero who rescues a Mexican general from execution by using his machine gun/sewing machine combo on the Mexican army. The general then gives him the task of recovering some valuable jewellery, but of course there's a gang of hoodlums after it too (led by the usual corrupt businessman), and a nun who is a secret agent, and an uppity Russian prince who blows up bad guys with a guitar doubling as a rocket launcher.
This film is not about realism, you might get that when George uses a birthday cake with dynamite for candles to blow up the bad guys, or when he puts laxative in their food and they all crap themselves, or when he shoots someone over his shoulder without looking. Or how about when the nun climbs up a telegraph pole and uses a gadget to send a message in morse code?
I don't know how he does it, but Guiliano Carnimeo manages to find the balance between comedy and violence that is painfully lacking in other Westerns about this time. Maybe they just don't go far enough, but Carnimeo packs the film with absolute madness, and then turns the film into an eighties action flick at the end for good measure! I suppose George Hilton helps, with his Latin charm and quips (some of which make no sense) – looks like there was a sequel to this one too!
Oh, good music as well, plus, the cinematography is by future director Stelvio Massi!