Dialogue supervisor: Robert Sherman. Producer: Robert Aldrich. Associate producer: Walter Blake. (Available on an excellent Fremantle DVD). An Associates and Aldrich/Palomar Production. U.S. release through Cinerama: July 1970. U.K. release through C.I.R.O.: 18 October 1970. Sydney opening at the Paris. 16,135 feet. 144 minutes. Cut by the distributor to 133 minutes in the U.S.A.
SYNOPSIS: Mixing the time-honored clichés of the war film with a fashionable dash of cynicism, "Too Late the Hero" has Robert Aldrich stamped all over it. — Nigel Andrews in Monthly Film Bulletin.
COMMENT: The main impediment to a favorable review of Robert Aldrich's film is its length. It could be trimmed by at least 30 minutes to advantage. I would start in on Ronald Foster's part, then I'd eliminate some of the close-ups and needlessly repeated reaction shots in individual scenes and trim the long sequence of the microphone pursuit which, despite Aldrich's commendable use of the sound track, goes on for far too long.
Fortunately, the film comes to an exciting climax with its obstacle race across the plain, and some of the photography here is absolutely breathtaking.
In fact, most of the film was obviously lensed on location. There is not even a single frame of stock footage - which is a pleasant and most agreeable surprise.
But on the debit side, the story is uncomfortably akin to an earlier Aldrich war movie, "The Dirty Dozen", which has a more entertaining script and higher production values than this one. Also that film's cast was far more interesting.
Despite his prominence in the credits, Henry Fonda makes only a fleeting appearance, and neither Cliff Robertson nor Michael Caine have a strong enough screen presence to overcome some of the weaknesses in their material — although they both make a game try.
Admittedly, reliable old Harry Andrews is back as the British C.O., and the rest of the players are competent, but unfortunately lack the sort of sparkle the film needs.
SYNOPSIS: Mixing the time-honored clichés of the war film with a fashionable dash of cynicism, "Too Late the Hero" has Robert Aldrich stamped all over it. — Nigel Andrews in Monthly Film Bulletin.
COMMENT: The main impediment to a favorable review of Robert Aldrich's film is its length. It could be trimmed by at least 30 minutes to advantage. I would start in on Ronald Foster's part, then I'd eliminate some of the close-ups and needlessly repeated reaction shots in individual scenes and trim the long sequence of the microphone pursuit which, despite Aldrich's commendable use of the sound track, goes on for far too long.
Fortunately, the film comes to an exciting climax with its obstacle race across the plain, and some of the photography here is absolutely breathtaking.
In fact, most of the film was obviously lensed on location. There is not even a single frame of stock footage - which is a pleasant and most agreeable surprise.
But on the debit side, the story is uncomfortably akin to an earlier Aldrich war movie, "The Dirty Dozen", which has a more entertaining script and higher production values than this one. Also that film's cast was far more interesting.
Despite his prominence in the credits, Henry Fonda makes only a fleeting appearance, and neither Cliff Robertson nor Michael Caine have a strong enough screen presence to overcome some of the weaknesses in their material — although they both make a game try.
Admittedly, reliable old Harry Andrews is back as the British C.O., and the rest of the players are competent, but unfortunately lack the sort of sparkle the film needs.