Sergio Martino's directorial efforts have run the gamut — from straight exploitation (Mondo Sex and Mountain of the Cannibal God, which features Stacy Keach and Ursula Andress, as well as real animal mutilation which we'd never endorse) to horror (Island of the Fishmen, which in addition to starring Barbara Bach and Joseph Cotten, was re-edited by Jim Wynorski and re-entitled Screamers), post-apocalyptic action (2019 After the Fall of New York and Hands of Steel, which is more Terminator rip off than Road Warrior), spaghetti westerns, crime dramas, war films, comedies and even Italian TV, where he's worked for the last several decades. But this week we're here to discuss his contributions to the world of giallo.
This is his first effort and the start of the ensemble case in which he'd use in his films. George Hilton would appear in four of his films, Ivan Rassimov in three and one of the queens of the giallo, Edwige Fenech, would star in three (in fact, she was married to Sergio's brother, the late producer Luciano Martino, at one time).
Julie Wardh (Fenech) is the wealthy heir to a retailing company. But she's also a fragile flower, back in Vienna, a city packed with memories and former lovers. She's married to Neil (Alberto de Mendoza from Horror Express and Lizard in a Woman's Skin), a man so wealthy and powerful that he leaves for business the moment they land.
As Julie rides alone in the rain, her car is stopped by the police who are on the hunt for a killer. The sound of the wiper blades reminds her of the last time she was here, recalling a vicious fight between her and a lover who repeatedly slapped her around before they made love in the rain. There's a gorgeous shot here at the end, where the lovers are to the left of the camera while rain descends on them, almost illuminating them and a sports card pushes into the right foreground. Compared to other giallo which seem content to merely ape Argento or seem like boring police procedurals, Martino aspires to art within his direction (which honestly is why this site is planning on a week of his films).
A green light and honking horns snap Julie from her reverie and she returns to her apartment, where she takes strange notice of a car. Her apartment has been left exactly as it was the last time she was here — it's a white pop art explosion of metallic, green and blue lines contrasted with oval windows — and just as she's getting ready to take a bath, the buzzer rings. A dozen roses with a note attached: The worst part of you is the best thing you have and will always be mine – Jean.
We cut to a party, where Caroll (Conchita Airoldi, who would go on to produce Cemetery Man) is trying to hook Julie up with her cousin George (George Hilton, All the Colors of the Dark, The Case of the Bloody Iris) as a catfight between two girls in paper dresses goes down. Tell you what — if I am to learn anything from giallo, it's that every party in 1970's Italy was packed with drugs, crazy music and the chance that anything from a fist fight to an orgy could happen at any minute. People had to be exhausted all the time. Jean (Ivan Rassimov from Planet of the Vampires, Your Vice is a Locked Door and Only I Have the Key, Eaten Alive!), the guy who sent the roses and was the man she remembered in the earlier flashback, is there extending a salute. This enrages Julie, who leaves the party, but he follows her into the street. He reminds her that she belongs to him, but she counters that she married Neil to escape him, which is cemented when Neil shows up and punches the dude. Jean just laughs, looking at both of them, knowing that he owns Julie body and soul.
Read more at bandsaboutmovies.com/2017/09/04/the-strange-vice-of-mrs-wardh-1971
This is his first effort and the start of the ensemble case in which he'd use in his films. George Hilton would appear in four of his films, Ivan Rassimov in three and one of the queens of the giallo, Edwige Fenech, would star in three (in fact, she was married to Sergio's brother, the late producer Luciano Martino, at one time).
Julie Wardh (Fenech) is the wealthy heir to a retailing company. But she's also a fragile flower, back in Vienna, a city packed with memories and former lovers. She's married to Neil (Alberto de Mendoza from Horror Express and Lizard in a Woman's Skin), a man so wealthy and powerful that he leaves for business the moment they land.
As Julie rides alone in the rain, her car is stopped by the police who are on the hunt for a killer. The sound of the wiper blades reminds her of the last time she was here, recalling a vicious fight between her and a lover who repeatedly slapped her around before they made love in the rain. There's a gorgeous shot here at the end, where the lovers are to the left of the camera while rain descends on them, almost illuminating them and a sports card pushes into the right foreground. Compared to other giallo which seem content to merely ape Argento or seem like boring police procedurals, Martino aspires to art within his direction (which honestly is why this site is planning on a week of his films).
A green light and honking horns snap Julie from her reverie and she returns to her apartment, where she takes strange notice of a car. Her apartment has been left exactly as it was the last time she was here — it's a white pop art explosion of metallic, green and blue lines contrasted with oval windows — and just as she's getting ready to take a bath, the buzzer rings. A dozen roses with a note attached: The worst part of you is the best thing you have and will always be mine – Jean.
We cut to a party, where Caroll (Conchita Airoldi, who would go on to produce Cemetery Man) is trying to hook Julie up with her cousin George (George Hilton, All the Colors of the Dark, The Case of the Bloody Iris) as a catfight between two girls in paper dresses goes down. Tell you what — if I am to learn anything from giallo, it's that every party in 1970's Italy was packed with drugs, crazy music and the chance that anything from a fist fight to an orgy could happen at any minute. People had to be exhausted all the time. Jean (Ivan Rassimov from Planet of the Vampires, Your Vice is a Locked Door and Only I Have the Key, Eaten Alive!), the guy who sent the roses and was the man she remembered in the earlier flashback, is there extending a salute. This enrages Julie, who leaves the party, but he follows her into the street. He reminds her that she belongs to him, but she counters that she married Neil to escape him, which is cemented when Neil shows up and punches the dude. Jean just laughs, looking at both of them, knowing that he owns Julie body and soul.
Read more at bandsaboutmovies.com/2017/09/04/the-strange-vice-of-mrs-wardh-1971