Holy Sheeit! Although plot wise this giallo is the old-school type where a bunch of folk in a huge mansion double cross and play mind games with each other before everything comes to a head (like The Third Eye or Libido), this one also gives everything a contemporary seventies vibe with wall-to-wall nudity from start to finish – and those getting naked are Barbara Bouchet and Rosalba Neri!
Barbara Bouchet is the newly appointed secretary employed to transcribe a novel that smug writer Farley Granger is writing, and this involves shacking up at his huge mansion where he lives with his equally smug wife Rosalba Neri and their butler Umberto Raho. Seems that the police have been sniffing around for a while as Farley's last secretary Sally has gone missing, and Barbara doesn't seem too surprised to overhear this.
She is surprised by finding a hulking brute standing outside of her window and is given a chill pill by Rosalba, which leads to an eye- popping scene where a half-conscious Barbara writhes about naked while Rosalba also strips off and gets busy with her – all in slow motion and immaculately filmed. But don't knock one out yet fellas, there's much, much more where that came from!
The next day Barbara doesn't recall that Sapphic encounter but is clued into things right away when, during one of Rosalba's sexy parties, she puts on an adult version of Red Riding Hood ("That hood will be red from all that riding!" – someone exclaims!) and Barbara recognises the actress as her pal Sally! A brief and subtle flashback showing the two of them naked under a waterfall may or may not hint that they might have been more than friends, but I'm not sure.
There is actually some sort of mystery in amongst the boobs and arses. Barbara thinks someone has killed Sally, and coincidentally the audio tapes that Farley gives her to transcribe seem to detail the plot of the film she's in, and around this time she begins to suspect that she may be next. Who can she trust? Rosalba, who at one point jumps out of a swimming pool to have a quick puff on a cigarette? Umberto, whose motives are unclear? How about the big brute guy, who guts a live eel in front of Barbara for some reason? Could have done without that bit, which is something I seem to be saying more frequently.
It's not very violent and as you'd expect things kick off at the end a bit. There are twists right up until the last thirty seconds. The thing with Barbara Bouchet and Rosalba Neri is that the two of them can actually act too – especially Rosalba, who can switch from sweet to evil to sexy at the drop of her knickers.
Barbara Bouchet's Boobs will return in Lucio Fulci's Don't Torture A Duckling!
Barbara Bouchet is the newly appointed secretary employed to transcribe a novel that smug writer Farley Granger is writing, and this involves shacking up at his huge mansion where he lives with his equally smug wife Rosalba Neri and their butler Umberto Raho. Seems that the police have been sniffing around for a while as Farley's last secretary Sally has gone missing, and Barbara doesn't seem too surprised to overhear this.
She is surprised by finding a hulking brute standing outside of her window and is given a chill pill by Rosalba, which leads to an eye- popping scene where a half-conscious Barbara writhes about naked while Rosalba also strips off and gets busy with her – all in slow motion and immaculately filmed. But don't knock one out yet fellas, there's much, much more where that came from!
The next day Barbara doesn't recall that Sapphic encounter but is clued into things right away when, during one of Rosalba's sexy parties, she puts on an adult version of Red Riding Hood ("That hood will be red from all that riding!" – someone exclaims!) and Barbara recognises the actress as her pal Sally! A brief and subtle flashback showing the two of them naked under a waterfall may or may not hint that they might have been more than friends, but I'm not sure.
There is actually some sort of mystery in amongst the boobs and arses. Barbara thinks someone has killed Sally, and coincidentally the audio tapes that Farley gives her to transcribe seem to detail the plot of the film she's in, and around this time she begins to suspect that she may be next. Who can she trust? Rosalba, who at one point jumps out of a swimming pool to have a quick puff on a cigarette? Umberto, whose motives are unclear? How about the big brute guy, who guts a live eel in front of Barbara for some reason? Could have done without that bit, which is something I seem to be saying more frequently.
It's not very violent and as you'd expect things kick off at the end a bit. There are twists right up until the last thirty seconds. The thing with Barbara Bouchet and Rosalba Neri is that the two of them can actually act too – especially Rosalba, who can switch from sweet to evil to sexy at the drop of her knickers.
Barbara Bouchet's Boobs will return in Lucio Fulci's Don't Torture A Duckling!