7/10
Another edgy, noir(ish) trip in LA with a glorious oddball
24 November 2017
Warning: Spoilers
Gilroy scores big with Denzel. It's one of his MAJOR works of the 21st century and it makes me so pleased to see a guy in his 60s who could/should be resting on his laurels with a challenging human being to nail. He does a metric-ton of work to create a completely distinctive introvert/savant person we have never seen him do before and it shows. But Gilroy needed to work more on the script; events move along far too quickly given how much does happen to/by/from Israel, and I feel mixed not so much on the very end but on the climax (spoiler: it confirms a trope raised many times on the "Denzel Washington is the Greatest Actor of All Time" podcast). So it is good, at times very good. But it's a teeny slump after the knockout of Nightcrawler, which this feels like a cousin to. I wonder now if Gilroy will create his own 'LA Mental Case' cinematic universe (one can also tell that these are very much stories of the American dream and how the system work; the TV network and Farrell's legal office are by the books and full of "normal" people, and who wants that?)
7 out of 15 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed