This feel-good, come-from-behind movie is refreshing and the two protagonists are attractive and appealing, while their antagonist is a jerk. If you presume the outcome will be positive the twists in the story are predictable but not shocking. The retrieval of the beloved violin at the very end evokes the memory of Johnnie's deceased father, about whom nothing is ever told. Since Galitzine is from a family of Russian aristocrats who fled to England after the Russian Revolution maybe the father could be famous, but who knows? The roommate Jasmine seems to be an afterthought, and why bother to have her involved with a druggie? Likewise the scam-lawyer immigration scam seems contrived, but it moves the story along.
It's a pity the film chose to perpetuate the '80s image of the New York City subway system, with graffiti-covered cars. New York MTA does not allow movies shot in the city to be depicted that way, and the subway scenes are patently not there. The illusion of New York is done pretty well, though, although the Inwood loft is not convincing because first of all those lofts do not exist in Inwood and second of all where they do exist the rents are beyond what an undocumented alien could afford. The Manhattan School of Music doubles pretty well as the Manhattan Conservatory of the Arts. Shooting the music and dance scenes in Bucharest must have saved a bundle, but it should have been done with New York studio performers. Johnnie does appear actually to be playing the violin himself, without simulation.
It's a pity the film chose to perpetuate the '80s image of the New York City subway system, with graffiti-covered cars. New York MTA does not allow movies shot in the city to be depicted that way, and the subway scenes are patently not there. The illusion of New York is done pretty well, though, although the Inwood loft is not convincing because first of all those lofts do not exist in Inwood and second of all where they do exist the rents are beyond what an undocumented alien could afford. The Manhattan School of Music doubles pretty well as the Manhattan Conservatory of the Arts. Shooting the music and dance scenes in Bucharest must have saved a bundle, but it should have been done with New York studio performers. Johnnie does appear actually to be playing the violin himself, without simulation.