Review of Daimajin

Daimajin (1966)
8/10
"Daimajin' (originally from Japan circa1966) combines Samurai-period + Daikaiju (giant-monster) Epic-action
3 December 2017
Warning: Spoilers
This first 'Daimajin' film (starting the series of Japanese Daiei-Studio films circa1966) is actually quite well-made showcasing an abundance of authentic intensity, seriousness & scares with very little that could be classified as silly or childish (as compared with those kid-centric Giant flying-turtle 'Gamera' outings also produced by mid-1960's Daiei Film-Studios).  'Daimajin' features realistic samurai-action with a solid injection of intriguing Asian-mysticism and even 'morality-play' set during the unsympathetic Era in belligerent feudal-Japanese history when harsh arbitrary rules were meted-out by brutal Clan-Warlords.

Thankfully, the humble + honest villagers have an unlikely Champion in the form of 'Daimajin' the gargantuan stone statue encasing-embodying a fierce ancient Asian-deity when at rest appears placid-meek-tranquil, like the amid-Buddha, but possesses the dual capacity to explosively-transform into a sword-wielding giant stone-cast samurai-Demon =  with extremely-fierce visage, and fiery phosphorous-red eyes whenever aroused by the sensing of overwhelming injustice perpetrated by the mercilessly-powerful preying upon the humble peaceful citizenry.

Surprisingly, this first 'Daimajin' film (and sequels) features realistic acting, intriguing Story, and period costumes that all feel quite authentic to the hazardous time in Japan when merciless feudal warlords and rogue samurai could impose their will (usually by ruthless force) upon the meek rural citizens and farmers (with unarmed villagers desperately seeking and praying for an unlikely defender).

This 'Daimajin' film (especially the first-installment originally released circa1966) holds-up well and the special-effects still appear extraordinarily eerie, especially the way Daimajin's red-glowing phosphorous eyes seem extremely enraged & lifelike.  The transformation scenes are quite riveting, going from completely calm-placid-serene to a blisteringly-furious unstoppable vengeful-spirit all accomplished long before CGI-effects.
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