6/10
An Enjoyable Film That Is Not Without Its Problems
23 February 2018
Warning: Spoilers
As the title of my review states, I enjoyed Come See the Paradise and feel as though it represented Japanese-American internment well, but the film did make some choices with which I do not agree.

The film did well in depicting internment. One thing that some Americans may struggle with is being critical of the country many call "the land of the free", but this film does not shy away from criticizing the United States' decision to unjustly intern those of Japanese descent during World War II. This can be seen when Lily argues with white camp officials, calling the camp a prison and when Charlie, an American citizen who barely spoke any Japanese, repatriates to Japan after the war, disgusted with the internment. Seeing a Hollywood film about American citizens encamped could open viewer's eyes to an ugly part of the United States' history and serve as a warning that freedoms can be infringed upon and that we must do our part to stop anything like this from happening within the United States again.

The film also did a decent job at showing how the camp interrupted the lives of Japanese-Americans. The Kawamura family had a thriving movie theater and a beautiful home, but all of this was taken away in an instant with encampment. Although the aftereffects of the camp are hardly explored, the Kawamura family members do not have their lives to return to in Los Angeles, showing how a camp experience can impact people even after liberation.

All this being said, the film did have its problems. Although the portrayal of these camps was realistic and critical, not nearly enough time was spent showing camp life. There was far too much buildup to encampment; I hardly think that there was much reason to start in 1936. I am also unsure if there was a need for the character of Jack. The camps were the experiences of Japanese-Americans and people of Japanese descent, so I believe the focus should have been solely on them without the inclusion of a white male character although I realize that without Dennis Quaid, the film might not have accessed as wide of an audience as it did.
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