Matthias Schoenaerts shines in a nightmarish fantasy short with a distinctive look. I'm not too fond of some of the "steampunk" aesthetics, but as a whole the visuals are both striking and memorable. The story itself touches upon archetypal themes such as love, betrayal, sacrifice and death ; as a result it feels somewhat like an old fairytale or an old fable, transmitted from century to century.
Another, more contemporary theme concerns the porous and shifting borders between watching and condoning, between watching and participating or between watching and provoking.
Last but not least the movie reminds one of the catastrophic suffering involved in World War One. As a child I remember meeting very old people who had seen their share of loss and grief and who spoke of "the war", in the singular. For them the first World War still remained the great, the real, the original war, with all subsequent conflicts being but aftershocks or afterimages.
Another, more contemporary theme concerns the porous and shifting borders between watching and condoning, between watching and participating or between watching and provoking.
Last but not least the movie reminds one of the catastrophic suffering involved in World War One. As a child I remember meeting very old people who had seen their share of loss and grief and who spoke of "the war", in the singular. For them the first World War still remained the great, the real, the original war, with all subsequent conflicts being but aftershocks or afterimages.