John Abbott plays Webb Fallon, a centuries-old vampire currently earning a living as a dive owner in an African locale called Bakunda. Coinciding with his arrival is, of course, the expected outbreak of curious murders. The heroes don't put two and two together right away, but they DO figure him out, and head into the heart of the jungle, while he attempts to obtain a female companion for his further journeys through the years.
"The Vampire's Ghost" is more intelligently handled than some films of its type, no doubt the result of the craftsmanship of the celebrated Leigh Brackett, who co-wrote the script based on her own original story. Still, it can't help but spend some time going over some of the standard rules involving vampires, with which so many people are familiar by now.
Although a low budget production (you never do believe that the sets and actors are actually in Africa), the filmmakers, led by director Lesley Selander, make up for this with a presentation that is dependent on mood and characterization. Like many an old-school horror film, it relies on suggestion and subtlety. All we need to see are the frightened reactions of various victims. Abbott, whose buggy eyes are hard not to fixate upon, gives people such a cold stare that they meekly submit to his presence. This, even though he's not a particularly intimidating specimen physically.
The cast is good overall - Charles Gordon as the young hero, the pretty Peggy Stewart (who's still alive and still working) as the leading lady, Grant Withers as a helpful priest, Emmett Vogan as Stewarts' father, the stunning Adele Mara (whose exotic dance is a highlight), and Roy Barcroft as an unlucky gambler / skipper. But Abbott tends to command most of the attention, giving a performance that is world-weary and somewhat sympathetic. Webb doesn't particularly care for his continued, haunted existence.
This viewer didn't think the pacing was that tedious; the film maintained his interest for a modestly enjoyable experience running only an hour long.
Seven out of 10.
"The Vampire's Ghost" is more intelligently handled than some films of its type, no doubt the result of the craftsmanship of the celebrated Leigh Brackett, who co-wrote the script based on her own original story. Still, it can't help but spend some time going over some of the standard rules involving vampires, with which so many people are familiar by now.
Although a low budget production (you never do believe that the sets and actors are actually in Africa), the filmmakers, led by director Lesley Selander, make up for this with a presentation that is dependent on mood and characterization. Like many an old-school horror film, it relies on suggestion and subtlety. All we need to see are the frightened reactions of various victims. Abbott, whose buggy eyes are hard not to fixate upon, gives people such a cold stare that they meekly submit to his presence. This, even though he's not a particularly intimidating specimen physically.
The cast is good overall - Charles Gordon as the young hero, the pretty Peggy Stewart (who's still alive and still working) as the leading lady, Grant Withers as a helpful priest, Emmett Vogan as Stewarts' father, the stunning Adele Mara (whose exotic dance is a highlight), and Roy Barcroft as an unlucky gambler / skipper. But Abbott tends to command most of the attention, giving a performance that is world-weary and somewhat sympathetic. Webb doesn't particularly care for his continued, haunted existence.
This viewer didn't think the pacing was that tedious; the film maintained his interest for a modestly enjoyable experience running only an hour long.
Seven out of 10.