AT GUNPOINT is a typical Allied Artist B+ western: top lead actors (Fred MacMurray, Dorothy Malone, Walter Brennan), good direction and camerawork, ambitious if overwrought score by Carmen Dragon and a spotty script by Daniel Ullman -- great situations and scenes, some awful dialogue.
When some bank robbers hit a small town, storekeeper Fred MacMurray picks up a gun and squeezes off a shot -- and by a miracle brings down a bad guy a half mile away. Hurray! But the dead man's brother wants his vengeance.... and keeps killing the wrong man, resulting in the town turning against its former hero.
Westerns are among the oldest of film genres, and along the way they accumulated so much baggage that they became symbolic fiction, like science fiction and fantasy (which has largely replaced them in the cinema). This movie has a strong political message, which it delivers, ultimately, overtly. This weakens it. A better western with political commentary, like HIGH NOON, could leave its subtext in the subtext. Still, for fans of B westerns, it's a lot of fun to see some money spent on a favored form of fun.
When some bank robbers hit a small town, storekeeper Fred MacMurray picks up a gun and squeezes off a shot -- and by a miracle brings down a bad guy a half mile away. Hurray! But the dead man's brother wants his vengeance.... and keeps killing the wrong man, resulting in the town turning against its former hero.
Westerns are among the oldest of film genres, and along the way they accumulated so much baggage that they became symbolic fiction, like science fiction and fantasy (which has largely replaced them in the cinema). This movie has a strong political message, which it delivers, ultimately, overtly. This weakens it. A better western with political commentary, like HIGH NOON, could leave its subtext in the subtext. Still, for fans of B westerns, it's a lot of fun to see some money spent on a favored form of fun.