Narrated by Floyd Gibbons. Directed and photographed by JOSEPH T. RUCKER and WILLARD VAN DER VEER. Polar flight commentary narrated by Floyd Gibbons. Titles: Julian Johnson. Film editor: Emanuel Cohen. Music score: Manny Baer. Song, "Back Home", by Irving Kahal, Sammy Fain and Pierre Norman.
Copyright 12 July 1930 by Paramount Publix Corp. New York opening at the Rialto, 19 June 1930. U.S. release: 28 June 1930. Sydney release at the Prince Edward, 24 October 1930 (ran 2 weeks). 8 reels. 7,411 feet. 82 minutes.
SYNOPSIS: Documentary of Admiral Byrd's 1928-1930 polar expedition.
NOTES: Academy Award for Cinematography (defeating one of the most impressive line-ups in the entire history of this Award: Arthur Edeson's All Quiet on the Western Front; William Daniels' Anna Christie, Tony Gaudio and Harry Perry's Hell's Angels and Victor Milner's The Love Parade).
Voted into 7th position, in The Film Daily annual poll of U.S. film critics.
COMMENT: A meticulous but slow-moving account of Byrd's expedition. True, the photography, doubtless executed under terrible conditions, has its moments of grandeur, but the film as a whole is too long, too repetitive, too static, too familiar to hold the interest of a present-day audience for 82 minutes.
Copyright 12 July 1930 by Paramount Publix Corp. New York opening at the Rialto, 19 June 1930. U.S. release: 28 June 1930. Sydney release at the Prince Edward, 24 October 1930 (ran 2 weeks). 8 reels. 7,411 feet. 82 minutes.
SYNOPSIS: Documentary of Admiral Byrd's 1928-1930 polar expedition.
NOTES: Academy Award for Cinematography (defeating one of the most impressive line-ups in the entire history of this Award: Arthur Edeson's All Quiet on the Western Front; William Daniels' Anna Christie, Tony Gaudio and Harry Perry's Hell's Angels and Victor Milner's The Love Parade).
Voted into 7th position, in The Film Daily annual poll of U.S. film critics.
COMMENT: A meticulous but slow-moving account of Byrd's expedition. True, the photography, doubtless executed under terrible conditions, has its moments of grandeur, but the film as a whole is too long, too repetitive, too static, too familiar to hold the interest of a present-day audience for 82 minutes.