Perry Mason steps down as a judge to defend his former secretary and one time sweetheart Della Street whom has been accused of murdering her new boss, the computer science tycoon Arthur Gordon. Assisted by Paul Drake Jnr, the son of his former private eye associate Paul Drake, Perry discovers that Gordon was about to cut off his family without a cent. Since all of them were in dire need of money, they all had a reason to want him dead. Perry and Drake discover that Gordon was really killed by a hitman called Bobby Lynch, but he too is murdered and time is running out fast for the pair to find out which one of the family hired him and to clear Della's name...
First and best of the numerous revival made-for-television movies, which returned the great Raymond Burr to his best loved role (along with Ironside) as Erle Stanley Gardner's ace defence attorney Perry Mason. It sizzles with cracking chemistry between Burr, Barbara Hale and William Katt (Hale's real life son) who plays the son of Perry's old private eye colleague Paul Drake. The actor William Hopper who had played him in the hit 1950's-60's TV show died not long after it had finished as did William Talman who played the famous DA Hamilton Burger. Here, Mason is paired with a young DA called Barbara Scott (Cassie Yates) who thinks that she is on to a "dead bang winner" partly because the circumstantial evidence against Della is overwhelming, but also because she believes that Mason is "rusty". Her boss, sceptical of her confidence of victory asks "Do you know how many times Hamilton Burger said that?" in an amusing nod to the original series. Her courtroom scenes with Burr are quite fun to watch as she isn't prepared for Mason's unorthodox courtroom antics. And, like Burger always did, she underestimates Mason's considerable abilities as a sleuth in which he always looks beyond the circumstantial. Yes, you've guessed it! - Scott loses just like Burger always used to.
Raymond Burr and Barbara Hale are a joy to watch here. Although she is now Perry's client, she acts as though she is still his secretary. "You do realise that you are the client, don't you?", he asks as if putting her in her place. She replies, "For the first time I know what its like to be the accused, I'd like to stay busy." "Well, in that case I will need detailed information on all the family, especially their finances." In a touching moment, Della turns to Perry and says "I don't know if I've ever said this, but its nice to see you again" and you can see by the way Perry responds that he is moved and we are invited to wonder if there really was a romantic angle to their relationship.
The interplay between Burr and Katt's struggling private eye is at its strongest here. Perry makes it clear that he disapproves of his undisciplined lifestyle: he has ran his father's once thriving business virtually into the ground and he scraps a living on routine divorce cases when he isn't moonlighting as a jazz musician and the "novel" he is meant to be working on has barely got started. Mason is very hard on Drake during the investigation by dismissing his efforts even when he has got vital leads and clues, which he has literally diced with death to obtain for him. Initially, we think that Perry's attitude to the young lad is unjust, but later we can see that he is actually very fond of him and it was just his way of getting Paul to focus on the job at hand.
The supporting cast is excellent with Holland Taylor, Kerrie Keane, David McIlwraith and Roberta Weiss stand out as the murdered man's family all of whom, in the best murder mystery tradition, have something to hide and are all not exactly trustworthy. Richard Anderson also deserves mention as the family lawyer Ken Braddock as does Patrick O' Neill as the ruthless tycoon Arthur Gordon. Dean Hargrove's script plays as fair as can be with the audience leading to a satisfying denouement and Ron Satlof's direction is pacy, slick and smooth.
First and best of the numerous revival made-for-television movies, which returned the great Raymond Burr to his best loved role (along with Ironside) as Erle Stanley Gardner's ace defence attorney Perry Mason. It sizzles with cracking chemistry between Burr, Barbara Hale and William Katt (Hale's real life son) who plays the son of Perry's old private eye colleague Paul Drake. The actor William Hopper who had played him in the hit 1950's-60's TV show died not long after it had finished as did William Talman who played the famous DA Hamilton Burger. Here, Mason is paired with a young DA called Barbara Scott (Cassie Yates) who thinks that she is on to a "dead bang winner" partly because the circumstantial evidence against Della is overwhelming, but also because she believes that Mason is "rusty". Her boss, sceptical of her confidence of victory asks "Do you know how many times Hamilton Burger said that?" in an amusing nod to the original series. Her courtroom scenes with Burr are quite fun to watch as she isn't prepared for Mason's unorthodox courtroom antics. And, like Burger always did, she underestimates Mason's considerable abilities as a sleuth in which he always looks beyond the circumstantial. Yes, you've guessed it! - Scott loses just like Burger always used to.
Raymond Burr and Barbara Hale are a joy to watch here. Although she is now Perry's client, she acts as though she is still his secretary. "You do realise that you are the client, don't you?", he asks as if putting her in her place. She replies, "For the first time I know what its like to be the accused, I'd like to stay busy." "Well, in that case I will need detailed information on all the family, especially their finances." In a touching moment, Della turns to Perry and says "I don't know if I've ever said this, but its nice to see you again" and you can see by the way Perry responds that he is moved and we are invited to wonder if there really was a romantic angle to their relationship.
The interplay between Burr and Katt's struggling private eye is at its strongest here. Perry makes it clear that he disapproves of his undisciplined lifestyle: he has ran his father's once thriving business virtually into the ground and he scraps a living on routine divorce cases when he isn't moonlighting as a jazz musician and the "novel" he is meant to be working on has barely got started. Mason is very hard on Drake during the investigation by dismissing his efforts even when he has got vital leads and clues, which he has literally diced with death to obtain for him. Initially, we think that Perry's attitude to the young lad is unjust, but later we can see that he is actually very fond of him and it was just his way of getting Paul to focus on the job at hand.
The supporting cast is excellent with Holland Taylor, Kerrie Keane, David McIlwraith and Roberta Weiss stand out as the murdered man's family all of whom, in the best murder mystery tradition, have something to hide and are all not exactly trustworthy. Richard Anderson also deserves mention as the family lawyer Ken Braddock as does Patrick O' Neill as the ruthless tycoon Arthur Gordon. Dean Hargrove's script plays as fair as can be with the audience leading to a satisfying denouement and Ron Satlof's direction is pacy, slick and smooth.