4/10
A strange case of anti-German propaganda released in an ironic year.
15 May 2018
Warning: Spoilers
The same year that Adolph Hitler became chancellor of Germany, Warner Brothers released this movie set during the days just before World War I where young Barbara Stanwyck, preparing to marry the handsome Ralph Bellamy, falls in love at first sight with his German born pal Otto Kruger. Bellamy is out and Kruger is the one who waits for her to walk down the aisle, much to the disgust of her prejudiced family. Perhaps there's good reason, as the marriage seems to fail, and Kruger suddenly disappears, just as the Lusitania is sunk and war is declared. Stanwyck ends up working in France along side Bellamy and suddenly recognizes a rather sullen soldier to be her estranged husband, with the revelation of where his loyalties lie and the decision she makes to change the destinies of both of them, as well as the war itself.

This is perhaps the only film where Otto Kruger played the leading male part, and while he is a fine character actor, a romantic idol he is not. He played ruthless businessmen, generous doctors and best friends very well, but I didn't for one minute believe that there would be a spark between him and Stanwyck. Unlike other older actors she's been paired with in other films, there's supposed to be a heat between them to generate some sort of passion, but even the staid Bellamy has more passion than Kruger can generate. Even stranger, there's an almost incestuous like relationship between Stanwyck and her brother (Frank Albertson) who seems to become insanely jealous of the "passion" between Stanwyck and Kruger.

Looking nothing like her Aunt Pitty Pat, Laura Hope Crews wears much aged make-up to play Stanwyck's imperious grandmother. Ruth Donnelly, Clara Blandick, Nella Walker and Virginia Howell play domestics or other relatives. Ironically, Blandick (like Bellamy in the Frank Capra film "Forbidden") had played a villainous role opposite Stanwyck the year before in "Shopworn", but here, she is much kinder and supportive. This is unfortunately a weird film that doesn't quite express an anti-war sentiment but gives a paranoia about German immigrants that would grow increasingly stronger over the next few years as Hitler's agenda became obvious and the world headed into another war. Stanwyck gives her typically sincere performance, but the stunning ending sort of came out of nowhere, leaving me completely disappointed over the rest of the film that didn't generate the needed heat to deserve such a surprising twist.
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