Taking part in the Grindhouse/"Cult" and Italian challenges on ICM,I've been keeping a look out on times when the two can be crossed. Seeing the likeable Stoney last night,I decided to unwrap the second feature on Code Red's DVD.
View on the film:
Treating it to none of the care they gave the Stoney transfer, Code Red slap on an old VHS print to disc,that includes moments where the tape has been chewed up. Done as the Euro Spy genre was fading out, the writers adaptation of Adam Saint Moore's novel targets crossing Euro Spy with the Thriller. Sweetening the intro of the killer, the writers move to make CIA agent Mark Stone a hard-nosed assassin determined to protect the king gives the flick an Italian Crime edge. Once the candy has been eaten, the writers sadly let the somewhat off-beat mood melt away for dry gang fights between Stone and the would-be killers. Chewing up the candy killer, co-directors Federico Chentrens & Maurice Cloche (who also co-wrote) give the sniper killer targeting a documentary rawness, which whimpers into shoot-outs that offer litter on screen candy.
View on the film:
Treating it to none of the care they gave the Stoney transfer, Code Red slap on an old VHS print to disc,that includes moments where the tape has been chewed up. Done as the Euro Spy genre was fading out, the writers adaptation of Adam Saint Moore's novel targets crossing Euro Spy with the Thriller. Sweetening the intro of the killer, the writers move to make CIA agent Mark Stone a hard-nosed assassin determined to protect the king gives the flick an Italian Crime edge. Once the candy has been eaten, the writers sadly let the somewhat off-beat mood melt away for dry gang fights between Stone and the would-be killers. Chewing up the candy killer, co-directors Federico Chentrens & Maurice Cloche (who also co-wrote) give the sniper killer targeting a documentary rawness, which whimpers into shoot-outs that offer litter on screen candy.