After missing this 2017 film, I agreed with my family: Considering the hot summer months and the rising political and social temperatures as well, an early visit to Christmas and the man who helped remind us what the holiday is all about was a pretty good idea (as in, why can't we think like this all year-round?).
"The Man Who Invented Christmas" revolves around Charles Dickens (played by Dan Stevens of "Downton Abbey" fame) and the personal and creative journey he took in writing his beloved novel, "A Christmas Carol."
Dickens, who wrote the book in 1843, intended it to "strike a sledge hammer blow" for the poor, an idea that sprang from a trek to Manchester, where he observed the plight of manufacturing workers, and from what he had seen at the Field Lane Ragged School.
History tells us that his characters leapt to life in his consciousness and that he became so engrossed he "wept and laughed, and wept again," and that he "walked about the black streets of London fifteen or twenty miles a night when all sober folks had gone to bed."
The film is sumptuous, the production values and photography lush and appealing and, when appropriately necessary, cautionary and convincing.
Stevens is excellent as the driven author, moving from warmth to near creative madness without overdoing either, but Christopher Plummer as the imaginary Scrooge he conjures in his mind nearly steals the show, trading barbs and supplying the logic of someone who has forgotten the meaning of love and life.
It's a special fascination to see how artists think and work, borrowing bits and pieces from the people and happenings around them to knit a separate entity that then stands alone by itself.
I didn't find the film preachy or message-driven, though it's impossible in the current climate not to think that some of what's going on here and across Europe may not have seeped into the production. Art usually reflects the fervor of its time.
Still in all, viewers across the political spectrum will find the film more than enjoyable and a welcome reminder that we should _ and can _ celebrate each other all the time, not just in advance of exchanging Christmas presents and knocking back a cold one.
Adding some spice to the film is some clever humor delivered by actors top to bottom who clearly have the training and experience to bring a funny line into the winner's circle.
It's said that "A Christmas Carol" reawakened the spirit of Christmas in both Britain and America.
I think watching this movie does the same thing for viewers too no matter the time of year, and considering what we're experiencing now, that ain't a bad thing.
"The Man Who Invented Christmas" revolves around Charles Dickens (played by Dan Stevens of "Downton Abbey" fame) and the personal and creative journey he took in writing his beloved novel, "A Christmas Carol."
Dickens, who wrote the book in 1843, intended it to "strike a sledge hammer blow" for the poor, an idea that sprang from a trek to Manchester, where he observed the plight of manufacturing workers, and from what he had seen at the Field Lane Ragged School.
History tells us that his characters leapt to life in his consciousness and that he became so engrossed he "wept and laughed, and wept again," and that he "walked about the black streets of London fifteen or twenty miles a night when all sober folks had gone to bed."
The film is sumptuous, the production values and photography lush and appealing and, when appropriately necessary, cautionary and convincing.
Stevens is excellent as the driven author, moving from warmth to near creative madness without overdoing either, but Christopher Plummer as the imaginary Scrooge he conjures in his mind nearly steals the show, trading barbs and supplying the logic of someone who has forgotten the meaning of love and life.
It's a special fascination to see how artists think and work, borrowing bits and pieces from the people and happenings around them to knit a separate entity that then stands alone by itself.
I didn't find the film preachy or message-driven, though it's impossible in the current climate not to think that some of what's going on here and across Europe may not have seeped into the production. Art usually reflects the fervor of its time.
Still in all, viewers across the political spectrum will find the film more than enjoyable and a welcome reminder that we should _ and can _ celebrate each other all the time, not just in advance of exchanging Christmas presents and knocking back a cold one.
Adding some spice to the film is some clever humor delivered by actors top to bottom who clearly have the training and experience to bring a funny line into the winner's circle.
It's said that "A Christmas Carol" reawakened the spirit of Christmas in both Britain and America.
I think watching this movie does the same thing for viewers too no matter the time of year, and considering what we're experiencing now, that ain't a bad thing.