In a Lakota Sioux reservation in South Dakota, Brady Blackburn (Brady Jandreau) is recently recovering from brain damage due to a rodeo incident and finds it difficult to adjust to a safer lifestyle as he's not allowed to ride horses any more. Periodically, Brady visits a friend Lane (Lane Scott) in a care facility. Lane was also injured in a rodeo incident but much more severely than Brady.
In the genre of "macho" films, "The Rider" is unique in a couple of ways. Firstly, the movie begins after the injuries rather than leading up to them as climactic moments. Secondly, rather than glorifying the sport of rodeo, it focuses on its aftermath after things go terribly wrong. Director/writer Chloé Zhao is courageous in taking this unconventional approach.
"The Rider" has a very serene quality to it aided by scenes that include beautiful sunrises and sunsets. Its subtle approach to the heartbreak of shattered dreams is slow-moving yet still effective. This film might have been dull but Zhao has a special touch to keep the viewer interested. She is well aided by Jandreau in the lead role, especially as Brady sees the reflection of his strong personality in a horse who is difficult to train. He also personifies the inner strength of the working poor.
The film would have been richer if it addressed the issue of cruelty to animals used in rodeo. Despite this shortcoming, it is still a sweet, unconventional film. - dbamateurcritic
In the genre of "macho" films, "The Rider" is unique in a couple of ways. Firstly, the movie begins after the injuries rather than leading up to them as climactic moments. Secondly, rather than glorifying the sport of rodeo, it focuses on its aftermath after things go terribly wrong. Director/writer Chloé Zhao is courageous in taking this unconventional approach.
"The Rider" has a very serene quality to it aided by scenes that include beautiful sunrises and sunsets. Its subtle approach to the heartbreak of shattered dreams is slow-moving yet still effective. This film might have been dull but Zhao has a special touch to keep the viewer interested. She is well aided by Jandreau in the lead role, especially as Brady sees the reflection of his strong personality in a horse who is difficult to train. He also personifies the inner strength of the working poor.
The film would have been richer if it addressed the issue of cruelty to animals used in rodeo. Despite this shortcoming, it is still a sweet, unconventional film. - dbamateurcritic