O.K., so in the 63 years since this film came out, no actual earthling has walked on Mars, but the desire for space travel and the expansion of our overcrowded earth has continued. For this beautifully colorful George Pal adventure, the audience is taken into the somewhat restricted world of the astronauts where small cramped quarters, lack of real oxygen and a desire for something as simple as healthy water is a major concern. The first half of this film takes place on both the giant space wheel sent into orbit and the rocket sent up with supplies and other astronauts to prepare for its journey to Mars. Conflicts between father and son over their different ambitions for their lives as astronauts creates an interesting family subplot and interesting dimension past the science fiction themes 10 years prior to actual human space travel. The second half shows them on Mars dealing with the inability to get off the planet and the lack of water to sustain life. Sudden "Mars quakes" opens up the ground beneath them, giving me the hint that giant creatures were about to emerge from them. While that is not the case, what does happen is equally as thrilling, creating some brilliant special effects and some shocking visuals as the astronauts strive to leave this strange world and return home.
Not a great movie so much as it is an entertaining one, it does get a bit talky in the first half, but is still never dull. The often boring lives of the astronauts is interrupted by moments of their personal interactions, as well as a brief glimpse of a colorful musical number featuring Rosemary Clooney in "Here Come the Girls", a 1953 Paramount film that seems to parallel the mythical view of outer space with its Arabian Knights costumes. Walter Brooke and Eric Fleming are father and son, much conflicted with their differing views, and give very good performances. Benson Fong, as the wise Japanese astronaut, is most thoughtful in his performance, while Mickey Shaugnessy, Phil Foster (Laverne DeFazio's TV father) and William Redfield are certainly representative of the common no-nonsense American, out to have fun wherever they can, but still very determined with their mission. The final sequence is rather scary, and while I wouldn't call this a truly realistic view of what the conquest of space was really like, it gave film audiences a fun way to imagine it as only special effects master George Pal could do.
Not a great movie so much as it is an entertaining one, it does get a bit talky in the first half, but is still never dull. The often boring lives of the astronauts is interrupted by moments of their personal interactions, as well as a brief glimpse of a colorful musical number featuring Rosemary Clooney in "Here Come the Girls", a 1953 Paramount film that seems to parallel the mythical view of outer space with its Arabian Knights costumes. Walter Brooke and Eric Fleming are father and son, much conflicted with their differing views, and give very good performances. Benson Fong, as the wise Japanese astronaut, is most thoughtful in his performance, while Mickey Shaugnessy, Phil Foster (Laverne DeFazio's TV father) and William Redfield are certainly representative of the common no-nonsense American, out to have fun wherever they can, but still very determined with their mission. The final sequence is rather scary, and while I wouldn't call this a truly realistic view of what the conquest of space was really like, it gave film audiences a fun way to imagine it as only special effects master George Pal could do.