As you no doubt know, the 1970s produced a number of American good ol' boy movies involving truckers. This particular one is somewhat different, because it had significant Canadian involvement, in order to take advantage of a tax shelter system that existed there at the time. If you are thinking that the end results are a kind of mishmash between two cultures, you are right. The movie often feels kind of strange, not coming across as either Canadian or American in tone or appearance. But the feel of the movie is not really one of the big problems with the movie. While other good ol' boys movies of this era were packed with action, there is very little action here, and what little there is happens to be choreographed and directed in a manner that's more often than not slow and sluggish. And while other good ol' boys movies had a lot of comic relief, the little humor in the movie is lame and passionless. In fact, the other parts of the movie also share a great lethargic feel. Maybe it was from the fact that most of the movie was shot in the cold Canadian winter (though strangely there are some scenes where there is no trace of snow anywhere on the ground.) Movies like this killed off Peter Fonda's drive-in career.
Review of High-Ballin'
