After finally seeing this film, which I wanted to watch for many years now, I'm actually not entirely positive about it. On the one hand, it's based on a real story worth being told and overall a solid drama.
That said, I couldn't help myself but notice some flaws that keep THE KILLING FIELDS from being a truly great film. The score in particular is just awful and mostly out of place. There are several serious scenes within the film that are suddenly accompanied by melodramatic and at times almost goofy music and thus ruined. Aside from that, I didn't find the setup for the friendship between the protagonists particularly convincing. The American journalist Schanberg treats Dith Pran like his employee for the first hour of the film. Only when they are separated emotions suddenly run wild and the viewer has to believe in this profound friendship. Besides, the infamous "killing fields" are in the film for approximately ten minutes. Joffé could have definitely laid more focus upon this horrifying part of the story.
Nevertheless, I suggest seeing THE KILLING FIELDS - not least because of it being one of only a hand full of films covering the Khmer Rouge subject.
That said, I couldn't help myself but notice some flaws that keep THE KILLING FIELDS from being a truly great film. The score in particular is just awful and mostly out of place. There are several serious scenes within the film that are suddenly accompanied by melodramatic and at times almost goofy music and thus ruined. Aside from that, I didn't find the setup for the friendship between the protagonists particularly convincing. The American journalist Schanberg treats Dith Pran like his employee for the first hour of the film. Only when they are separated emotions suddenly run wild and the viewer has to believe in this profound friendship. Besides, the infamous "killing fields" are in the film for approximately ten minutes. Joffé could have definitely laid more focus upon this horrifying part of the story.
Nevertheless, I suggest seeing THE KILLING FIELDS - not least because of it being one of only a hand full of films covering the Khmer Rouge subject.