The Favourite (2018)
9/10
Best Lanthimos film to date
24 December 2018
As a big fan of Yorgos Lanthimos' previous two English-language films, The Lobster (2015) and The Killing of a Sacred Deer (2017), I was quite ready to dive back into another one of his unsettling and darkly comedic movies, and I'm happy to say, The Favourite (2018) did not disappoint. Although I'm guessing it will take a second and third viewing to be able to fully appreciate The Favourite, I think it's safe to say, that it is Lanthimos' best made film to date. From a purely technical standpoint, The Favourite outdoes the previously mentioned films thanks to its painstakingly detailed set and costume designs, unnerving score, clever editing, and stunning cinematography. However, what makes it the best of Lanthimos' filmography is the writing (thanks to screenwriters Deborah Davis and Tony McNamara), acting (specifically, the main trio of actresses), and Lanthimos' own bizarre directing. Although Lanthimos' credit to this film can't be understated, the screenplay, penned by Deborah Davis and Tony McNamara, is what sets it apart from The Lobster and The Killing of a Sacred Deer. Unlike Lanthimos' other films, The Favourite isn't nearly as avant-garde nor detached in its story telling. The audience is able to connect to the characters, who are all allowed depth and complexity, and each are given understandable arcs. It helps that this time around, Lanthimos really let his actors act, whereas with his other works, the characters deliver each line completely deadpan, heightening the detachment from reality. Speaking of the acting, this might be the strongest part of the entire film. Olivia Colman offers the performance of her career, making the Queen Anne tragic, hilarious, and endearing. Meanwhile, Emma Stone and Rachel Weisz prove once more why they are both hard-hitting actresses, playing off of each other masterfully. As mentioned, it is Lanthimos unique directorial style, how he uses each element in combination, that makes The Favourite so special. In particular, Lanthimos' use of the camera and lighting is spectacular. The Favourite is a darkly comedic, at times unsettling, and smartly crafted film, worthy of being seen on the big screen. Lanthimos has raised the bar for his films, and I absolutely can't wait to see what he does next.
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