14 September 2013. White House Down starts with a lofty humanistic developing story that has substantive drama, but unlike its contemporary cousin Olympus Has Fallen (2013) becomes more a derivative of John McTiernan's action thriller Die Hard (1988). The result is an uneasy attempt at light humor along with a more darker plot that literally destroys a national American symbol. The plot elements in this deliberately twisting action thriller sometimes fails logic and later descends into a more chaotic and at times manipulative story.
Even with a rather ingenious double, double cross there is the over simplified demise of one of the more colorful villain, action scenes that seem to become more cluttered confusion and literally driving around in strange circles that defies believability. Even with the sincere and poignant if not manipulative scene with the daughter towards the climax of the movie, there are just too many moments where escape plans are abruptly and conveniently and contortedly altered.
While the beginning of the movie offered a polished and genuinely felt corridors of high power well folded as a solid backdrop to the humanity of the developing characters and an interesting liberal conspiracy theory embraced by the President himself, the tone of the movie becomes uneasy. Unlike Olympus Has Fallen which takes itself more thoughtfully seriously both the take over of the White House, the rebellious counter measures, and the consistent appealing emotive tone, White House Down just can't bring the same level of dry humor and entertainment as Die Hard.
Even with a rather ingenious double, double cross there is the over simplified demise of one of the more colorful villain, action scenes that seem to become more cluttered confusion and literally driving around in strange circles that defies believability. Even with the sincere and poignant if not manipulative scene with the daughter towards the climax of the movie, there are just too many moments where escape plans are abruptly and conveniently and contortedly altered.
While the beginning of the movie offered a polished and genuinely felt corridors of high power well folded as a solid backdrop to the humanity of the developing characters and an interesting liberal conspiracy theory embraced by the President himself, the tone of the movie becomes uneasy. Unlike Olympus Has Fallen which takes itself more thoughtfully seriously both the take over of the White House, the rebellious counter measures, and the consistent appealing emotive tone, White House Down just can't bring the same level of dry humor and entertainment as Die Hard.