1966's "Waco" opens with the powerful voice of BONANZA's Lorne Greene intoning the lyrics to the title song, an excellent choice to set things up for Waco, not the setting but the gunman played by Howard Keel, the new sheriff of Emporia, a lawless town in Wyoming. The folks have grown tired of violence playing out in front of the saloon of Joe Gore (John Smith), resulting in the death of previous lawman Billy Kelly (Richard Arlen), so the Mayor (Robert Lowery) has reluctantly agreed with leading citizen George Gates (John Agar) to allow the governor to pardon outlaw Waco to replace Kelly, having spent five lonely years behind bars. Gore knows how much the Jenner clan want to kill Waco (he killed one of the brothers years ago), but their attempted ambush is easily foiled, and saloon bouncer Bill Rile (DeForest Kelley) isn't a good enough shot to take him out. The one person who might be able to figure out Waco is his former sweetheart (Jane Russell), now the bride of a preacher (Wendell Corey), who himself used to ride with Quantrill but believes that a man can change. It's Waco's unpredictable behavior that maintains a high interest level, and better character touches than most Lyles oaters, with the best performance from Gene Evans as the ineffectual deputy reformed from his drunken state by Waco. John Smith, on the side of good on CIMARRON CITY and LARAMIE, is cast as the main villain, simply lacking the kind of menace the part calls for. DeForest Kelley, in the last of four Lyles Westerns, had been paying his dues in roles like this for over a decade, soon to achieve a legendary status as Dr. McCoy on STAR TREK. Among the baddies are Jeff Richards, in his final film (Howard Keel's costar in SEVEN BRIDES FOR SEVEN BROTHERS), Willard Parker, and Anne Seymour, pretty Terry Moore a delight as saloon girl Dolly, Brian Donlevy in a 'blink and you'll miss him' cameo for his third billing. Howard Keel would topline two more oaters for Lyles, "Red Tomahawk" and "Arizona Bushwhackers."
Review of Waco
