Almost Human (1974)
7/10
Milian makes it all worth watching.
28 April 2019
"Almost Human" is the best known of the "poliziotesschi", or Italian crime films, made by the highly respected Umberto Lenzi. It's a crackling story that travels far on the unholy magnetism of its unbalanced villain, and it's also a story with its fair share of dark twists and turns. The action scenes are first-rate, and the script (by the prolific Ernesto Gastaldi) keeps one absorbed, wondering when, or if, our antagonist will ever receive his comeuppance.

Tomas Milian stars as Giulio Sacchi, a low life criminal who never passes up an opportunity to make some money - or spread some blood around. He actually has a girlfriend (Anita Strindberg), and while sitting with her one day he gets the bright idea: kidnap his girls' boss' daughter for a hefty ransom. He seems to be one step ahead of the law the entire time, although a determined police inspector (Henry Silva) does soon pick up his trail.

Mean-spiritedness prevails in this interesting, effectively violent film, and it's never more interesting than when it follows the activities of the piece of scum at the story's centre. Milian is a force of nature to behold here, having no regard at all for human life and fixated on that "big score" that will make him an insanely rich man. It's something of a treat to see Silva as the good guy who will ultimately work outside the law to see justice done, although truth be told, he's often been at his best when playing roles similar to Milians'.

Punctuated by the typically grandiose talents of composer Ennio Morricone, "Almost Human" is very, very good of its kind. You won't believe what depravities Giulio will be capable of from scene to scene; in particular, that moment in the country manor will definitely drive that point home.

You may not like Giulio Sacchi, but you may find him fascinating as he sometimes just can't control himself from his most vile intentions.

Seven out of 10.
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