Imagine your screenwriting professor hands you the following assignment: craft a script that builds a collage of at least 5 films and includes absolutely nothing original. The last man apparently was written for that class. It's 1 part "Jacob's Ladder", 1 part "Babylon AD", 1 part "Take Shelter", 1 part "Mutant Chronicles" (for the shots of vintage trench warfare in the 21st century), 1 part "Green Room" (for the cheese eating neo-Nazis) and a bit of "The Sixth Sense". Nothing about it is good.
The plot goes something like this: a soldier with PTSD returns to his family house in the city he grew up in, and after an encounter with a street preacher decides to build a secret bunker in the basement, which puts him at odds with his boss, who accuses him of stealing money from the company to pay for the equipment. He is put into a mental institution that is predictably operating at the level of a Victorian era sanitarium, but because he saved the preacher from neo-Nazis by going Chuck Norris on them, he is able to escape when the neo-Nazis predictably show up at the sanitarian looking for revenge with a cattle prod.
Yup, you might have thought there was a movie there from the first few lines of plot, but pretty quickly to realize it's a hot mess of what are trying to pass for "action" elements tossed together in an under-developed, un-interesting ways. The film tries to rely on over-darkening shot after shot to try to create tension and anticipation, but frankly it just makes you want to close your eyes and go to sleep. After enjoying Mr. Chirstiansen's recent foray into rom-com, "Little Italy", an unpretentious opportunity for him to demonstrate something that passed for acting range, he is back playing the Anakin Skywalker emotion set... brooding and isolation, paranoid schizophrenia, and murderous psychopathy. Not to mention creeping on the woman he is working for, leading to another "forbidden" relationship. Frankly, he plays it better this time in as 40-year-old messed up PTSD veteran, than when he was playing a hot teenage jedi hitting on a 30(?) year old Imperial Senator, but the core set of empathies are the same. The rest of the acting is just garbage. Harvey Keitel phones it in for the pay-check trying to pull off a comical Moses evoking fake beard.
The plot goes something like this: a soldier with PTSD returns to his family house in the city he grew up in, and after an encounter with a street preacher decides to build a secret bunker in the basement, which puts him at odds with his boss, who accuses him of stealing money from the company to pay for the equipment. He is put into a mental institution that is predictably operating at the level of a Victorian era sanitarium, but because he saved the preacher from neo-Nazis by going Chuck Norris on them, he is able to escape when the neo-Nazis predictably show up at the sanitarian looking for revenge with a cattle prod.
Yup, you might have thought there was a movie there from the first few lines of plot, but pretty quickly to realize it's a hot mess of what are trying to pass for "action" elements tossed together in an under-developed, un-interesting ways. The film tries to rely on over-darkening shot after shot to try to create tension and anticipation, but frankly it just makes you want to close your eyes and go to sleep. After enjoying Mr. Chirstiansen's recent foray into rom-com, "Little Italy", an unpretentious opportunity for him to demonstrate something that passed for acting range, he is back playing the Anakin Skywalker emotion set... brooding and isolation, paranoid schizophrenia, and murderous psychopathy. Not to mention creeping on the woman he is working for, leading to another "forbidden" relationship. Frankly, he plays it better this time in as 40-year-old messed up PTSD veteran, than when he was playing a hot teenage jedi hitting on a 30(?) year old Imperial Senator, but the core set of empathies are the same. The rest of the acting is just garbage. Harvey Keitel phones it in for the pay-check trying to pull off a comical Moses evoking fake beard.