"Heavy" focuses on Victor Modino, an overweight, thirty-something cook who lives a quiet life running a roadhouse with his mother in upstate New York. His small world is turned upside down when Callie, a beautiful, kind young woman, comes to work in the restaurant. What ensues is a rich intersection of emotion, yearning, and ennui between the cast of characters running the establishment.
Perhaps one of the most underrated (and under-viewed) films of the 1990s, "Heavy" is a quiet, small film that pulls the emotional strings of the audience with a gentleness that is endearing and that manages to avoid erring into unabashed pathos. The protagonist, brilliantly acted by Pruitt Taylor Vince, is a man of few words, riddled with buried insecurity and social anxiety. Playing opposite Vince is a fresh-faced Liv Tyler, appearing as an unassuming, genuine young woman attempting to find her footing in the world. The emotional core of the film lay between these two characters, and both Vince and Tyler play them with precise skillfulness. Debbie Harry is equally impressive as a cynical longtime waitress, while Shelley Winters turns in a characteristically eccentric performance as the ailing matriarch of the restaurant.
What is perhaps most staggering about "Heavy" is that it rings eerily true to the locale in which it is set. The characters each feel like people we've seen in real life in anywhere, USA--small town ,working class people facing off their demons and failed aspirations. Director James Mangold (in his feature debut) captures a restlessness in each that is authentic, and the narrative is supported by atmospheric cinematography and a lush, sometimes unearthly score by Thurston Moore.
Some audiences seeking emotional (or literal ) fireworks may be bored to death by it, but for cinema lovers who appreciate character portraits and feelings of places, "Heavy" is an absolute gem. It's a quiet, small film full of quiet, small moments, but each of them have a ring of truthfulness that is difficult to ignore. Mangold manages to string these moments together with grace, leaving us an authentic, sparse narrative that still manages to uplift without drenching us in syrupy poignancy. Each of his characters, as embittered as they might be, are not entirely forsaken. 10/10.
Perhaps one of the most underrated (and under-viewed) films of the 1990s, "Heavy" is a quiet, small film that pulls the emotional strings of the audience with a gentleness that is endearing and that manages to avoid erring into unabashed pathos. The protagonist, brilliantly acted by Pruitt Taylor Vince, is a man of few words, riddled with buried insecurity and social anxiety. Playing opposite Vince is a fresh-faced Liv Tyler, appearing as an unassuming, genuine young woman attempting to find her footing in the world. The emotional core of the film lay between these two characters, and both Vince and Tyler play them with precise skillfulness. Debbie Harry is equally impressive as a cynical longtime waitress, while Shelley Winters turns in a characteristically eccentric performance as the ailing matriarch of the restaurant.
What is perhaps most staggering about "Heavy" is that it rings eerily true to the locale in which it is set. The characters each feel like people we've seen in real life in anywhere, USA--small town ,working class people facing off their demons and failed aspirations. Director James Mangold (in his feature debut) captures a restlessness in each that is authentic, and the narrative is supported by atmospheric cinematography and a lush, sometimes unearthly score by Thurston Moore.
Some audiences seeking emotional (or literal ) fireworks may be bored to death by it, but for cinema lovers who appreciate character portraits and feelings of places, "Heavy" is an absolute gem. It's a quiet, small film full of quiet, small moments, but each of them have a ring of truthfulness that is difficult to ignore. Mangold manages to string these moments together with grace, leaving us an authentic, sparse narrative that still manages to uplift without drenching us in syrupy poignancy. Each of his characters, as embittered as they might be, are not entirely forsaken. 10/10.