9/10
Well worth hiring
11 May 2019
Alan Ladd in his film debut. He and Veronica Lake together in their first collaboration of four films (the others being 'The Glass Key', 'The Blue Dahlia' and 'Saigon', the last of which the only one to not be a film noir), all at least watchable and serve them well. My love for film noir, though one could argue that the film predates it and that there are noir-ish elements. A film based on the novel 'A Gun for Sale' by one of the literary greats Graham Greene.

They are reasons enough to see any film, let alone 'This Gun for Hire'. 'This Gun for Hire' to me was an excellent film, with a huge amount to recommend it. Not quite a masterpiece but close, and its mostly positive reputation is more than understandable and am more than glad to be part of the positivity. A film most notable for the performances of the cast and its stylishness, though a lot is right with it.

From personal tastes, the ending was a touch on the heavy handed, the patriotic element being somewhat of an awkward fit, and over-sentimental side. Other than that, 'This Gun for Hire' is a winner.

Ladd's film debut is quite wonderful, can't believe it was actually a debut when he gave a performance of such icy steel. Liked a good deal of what he did and it was sad that he died too young, and still consider his performance here one of his best as one of his most demanding and most intriguing characters. Lake brings iciness, charm and vulnerability to her role and is a more than good match for Ladd, their chemistry sizzles (though it sizzles even more in 'The Blue Dahlia'). Laird Cregar plays an utter slimeball to perfection. All the cast are strong but Ladd, Lake and Cregar are the standouts here.

Credit is also due to Frank Tuttle in some of the best directing, whether visually, in direction of the cast and in keeping the story interesting and tight (all of which done never less than very well), of his career. Don't think he ever did better actually. 'This Gun for Hire' looks good, nicely shot with a lot of atmosphere. The script is taut and has an appropriate hard edge and the storytelling, while not quite as deep or as thrilling as Greene's source material, flies by and has the right amount of tension. At less than 80 minutes, would usually find that too short a length for a film but this is a not so common case of the length not being a problem.

In conclusion, excellent. 9/10
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