Stupid as it may sound, it's almost unthinkable that this simple & straightforward crime-thriller could still be made today, and this for an utmost dumb fact. The titular killer leaves candy wrappings (the dude's sole vice is a sweet tooth) at the scene of practically every crime, and nowadays it would be "not-done" for any character - hero or villain - to litter. You know, what with the environment and all?
Am I exaggerating? Perhaps, but it also somewhat demonstrates that "The Killer Likes Candy" is a very mundane and forgettable late '60s thriller. I watched it less than 48 hours ago, and already I have trouble remembering the plot and the denouement. It's entertaining enough while it lasts, merely thanks to a few exhilarating action sequences and a handful of adequate performances, but overall this is a weak effort. No-nonsense American hero Mark Stone gets assigned to protect the king of Kafiristan during his diplomatic stay in Italy, after a previous assassination attempt resulted in the death of his regular bodyguard. The hired killer is the stoic and introvert Oscar Snell, and his instructors clearly don't have a lot of confidence in him, since they additionally send a small army of goons (including Cameron Mitchell) out to neutralize Mark. Good aspects of the film include the majority of settings and filming locations (Rome, Venice, ...), the swinging soundtrack and two or three death sequences (burned alive, electrocuted, ...). The film is far too slow-paced, however, and the inexperienced director Frederico Chentrens doesn't manage to generate the least bit of suspense.
Am I exaggerating? Perhaps, but it also somewhat demonstrates that "The Killer Likes Candy" is a very mundane and forgettable late '60s thriller. I watched it less than 48 hours ago, and already I have trouble remembering the plot and the denouement. It's entertaining enough while it lasts, merely thanks to a few exhilarating action sequences and a handful of adequate performances, but overall this is a weak effort. No-nonsense American hero Mark Stone gets assigned to protect the king of Kafiristan during his diplomatic stay in Italy, after a previous assassination attempt resulted in the death of his regular bodyguard. The hired killer is the stoic and introvert Oscar Snell, and his instructors clearly don't have a lot of confidence in him, since they additionally send a small army of goons (including Cameron Mitchell) out to neutralize Mark. Good aspects of the film include the majority of settings and filming locations (Rome, Venice, ...), the swinging soundtrack and two or three death sequences (burned alive, electrocuted, ...). The film is far too slow-paced, however, and the inexperienced director Frederico Chentrens doesn't manage to generate the least bit of suspense.