In this sequel to POLICE STORY, everyone is back. Jackie Chan is getting a dressing-down for catching the bad guys.... so expensively. He's busted to traffic cop, but when the bad guys show up to threaten him and girl friend Maggie Cheung, he busts some glasses. This gets him more lecturing from fatuous squad chief Kwok-Hung Lam, so Jackie quits and heads off to Bali with Maggie.
However, some guys have planted a bomb, destroying a mall, and promise more unless the real estate company pays a huge ransom. The police don't know what to do about this, so they talk Jackie back onto the force.
In terms of story-telling, this is not a well-constructed story, since with three stories -- revenge story by the bad guys from the previous movie; rocky relationship with Miss Cheung; and bomber -- a lot winds up abandoned; even though Criterion has restored this to pretty much the original length, it's apparent that a lot was lost in editing somewhere. Still, one does not watch a Jackie Chan movie for its exquisite story-telling, but for funny stuff -- Bill Tung gets gassy at one point -- and the funny, chaotic, acrobatic gags that Jackie Chan provides to his fans. He offers them here, even though they are not as madly funny as they would become over the next five years.
It's important to note that, as director and co-writer, Chan is not a glory hog. The funniest sequence is the one where the young female officers are investigating a creep they want to turn. All in all, while Jackie Chan's movies would continue to improve because his popularity with audiences gave him greater scope, this is a lot of fun.
However, some guys have planted a bomb, destroying a mall, and promise more unless the real estate company pays a huge ransom. The police don't know what to do about this, so they talk Jackie back onto the force.
In terms of story-telling, this is not a well-constructed story, since with three stories -- revenge story by the bad guys from the previous movie; rocky relationship with Miss Cheung; and bomber -- a lot winds up abandoned; even though Criterion has restored this to pretty much the original length, it's apparent that a lot was lost in editing somewhere. Still, one does not watch a Jackie Chan movie for its exquisite story-telling, but for funny stuff -- Bill Tung gets gassy at one point -- and the funny, chaotic, acrobatic gags that Jackie Chan provides to his fans. He offers them here, even though they are not as madly funny as they would become over the next five years.
It's important to note that, as director and co-writer, Chan is not a glory hog. The funniest sequence is the one where the young female officers are investigating a creep they want to turn. All in all, while Jackie Chan's movies would continue to improve because his popularity with audiences gave him greater scope, this is a lot of fun.