There's lots of naked showering in this movie about women in prison. It's all young woman, ranging in age from 19 to 30, except for elderly, wheelchair-bound Barbara Steele (who's 37) as the warden, who wears glasses. There's also Warren Miller as the doctor who likes to experiment with his unconscious subjects and take pictures.
It's Jonathan Demme's first movie as director, and it's exploitation all the way, baby. It's never clear for most of the movie why they're in prison; it's thirty minutes in before one of the inmates talks about how she wound up in the joint, and like every convict, it's a bad rap. Yet when they get a chance to escape, they all seem competent with stealing cars, handling weapons and so forth.
It may be hard to reconcile the director of films like SWIMMING TO CAMBODIA and PHILADELPHIA with trash like this. Yet that was the entree to directing in that period. Earlier, fledgling directors might come out of the vast landscape of B westerns or short comedies. In the 1950s, directors started out in television and moved to the big screen. In the 1960s and 1970s, they worked for AIP and Roger Corman. Yet despite some prestige pictures in the 1990s, Demme returned to trash, with remakes of THE MANCHURIAN CANDIDATE and weird stuff like RICKI AND THE FLASH, like John Ford returning to westerns. Some people never forget where they come from.
It's Jonathan Demme's first movie as director, and it's exploitation all the way, baby. It's never clear for most of the movie why they're in prison; it's thirty minutes in before one of the inmates talks about how she wound up in the joint, and like every convict, it's a bad rap. Yet when they get a chance to escape, they all seem competent with stealing cars, handling weapons and so forth.
It may be hard to reconcile the director of films like SWIMMING TO CAMBODIA and PHILADELPHIA with trash like this. Yet that was the entree to directing in that period. Earlier, fledgling directors might come out of the vast landscape of B westerns or short comedies. In the 1950s, directors started out in television and moved to the big screen. In the 1960s and 1970s, they worked for AIP and Roger Corman. Yet despite some prestige pictures in the 1990s, Demme returned to trash, with remakes of THE MANCHURIAN CANDIDATE and weird stuff like RICKI AND THE FLASH, like John Ford returning to westerns. Some people never forget where they come from.