9/10
Don't tell
11 January 2020
Warning: Spoilers
I've never seen a movie which treats the viewer with as much respect as this one. There is no exposition, no hints to make sure you can keep track of what's going on. Every conversation is written for the characters, not for the viewer. And the scenes of nudity - they are neither drawn out or overplayed, nor is the movie coy about them. Everything just is. It's truly extraordinary.

Furthermore, the main character is extremely likeable. She's smart, direct, honest, open, and well-acted. With this directing style and that kind of protagonist, I would probably give it a positive score even if the story was completely boring. Which is not the case at all - the story, just like the rest of the movie, is unconcerned with tropes. Highly unpredictable, highly authentic.

As you can tell, I appreciate this style of directing a lot. More movies should be like this. It might even be a 9 - I've given it an 8 because the watching experience wasn't mind blowing, but it feels like the kind of thing that I will probably appreciate more over time. The plot is definitely worth thinking about.

Edit: I am changing it to a 9/10, and I think I figured out what the plot is about.

At first glance, it is merely a mystery.

At second glance, you might guess that Maureen died at the scene in the hotel. Ingo, who was probably also the one who texted her, has killed both her and Kyra. In the scenes where doors are opening and closing by themselves, it is really her ghost walking out.

But this is a bad theory. Why is it bad? Because a theory should explain the strange things that happen, and this theory explains almost nothing. Yes, it fits the doors opening and closing. But that is the only thing it explains. It doesn't explain who texted her (they knew things about her that Ingo wouldn't know). It doesn't tie into the specter she encounters in her brother's house. And it doesn't explain the ending at all. Worse still, the one data point which fits well is contradicted in the next scene. She is clearly visible to other people. Yes, perhaps her soul is still here for a while. But then, why would she be invisible in the first place? No matter how you look at it, it doesn't explain the movie well. If this theory was correct, then the plot would be poorly constructed.

Here is what I think really happened. Maureen is distraught about her brother's loss. A part of her can't let go. Because she is a medium, that part has taken on a form of its own. The specter is her. The person messaging her, it's her. The doors opening and closing - it is her, but it is the separate part of her that has been separate all along. Maureen didn't die. She's still alive at the end of the movie. The ghost she encounters then; it's her again.

This theory explains almost everything. It explains why the messenger knew her as well as they did. It explains why it started right after the specter appeared. It explains why it wanted her to do forbidden things. It explains the doors opening and closing on their own, despite Maureen being visible in the next scene. And it explains the ending.

Also, notice that the hotel room was booked under her own name. With this theory, this is literally accurate.

It's not obvious what happened with Ingo. Maybe she made him kill her. But more likely he acted by himself, and then the specter decided to steal the jewelry.

But despite this one loose end, it is the far better explanation. Most of what happens fits into it, the key moments of the movie obtain meaning, and the beginning and ending ties it all together. Her brother's spirit is still there; we see him at some point. He has emotional importance for her. But the one whom she encounters at the beginning, at the second scene in the house, during the text messages, in the hotel, and at the end - it is all the specter, who is a part of herself.
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