This has one or two decent moments, particularly the sequences on the moors and the early sequence on the train where for a minute or two this looked as if it might become a little risqué. For the most part, however, despite the presence of James Mason this is for the most part pretty preposterous. There are hints that this might take off into horror or at least thriller territory but, I guess, this was matinee fare and romance was the name of the game.
Review of Terror House
