Come to Daddy (2019)
7/10
SETTING SON
7 February 2020
Oh what could have been.

Wispy mustachioed, fashionista hipster Elijah Wood is absolutely delightful as a bug-eyed, angle haired, floppy clothed, privileged son, on an unsettling journey to reconnect with his three decades estranged father. Soon Norval's limited edition gold iPhone is smashed during a drunken selfie episode as the family reunion commences.

With a wine bottle in one hand and a meat cleaver in the other, the fabulous Stephen McHattie provides a belligerent and menacing foe as the crazed papa. There's a chess set in the middle of all the verbal sparring, which as it turns out, is not just a red herring, but a stinky rotten fish. instead of a clever gender duel, "Come To Daddy" comes totally off the rails and morphs into a bizarre, way over the top physical thrill ride that leaves many of the clever bits behind.

Not that that's a bad thing. It is just a weird thing. Like a double feature in one schizophrenic sitting. Perhaps folks will find pleasure in each half, perhaps not. The set up is certainly presented with snide snark, and creates an unsettling tension. The film looks great, with a velvety saturation glow. The performances are spot on. And the accelerating plot certainly has nary a dull moment, in a the best B-movie tradition.

Come for the outrageous roller coaster, but strap yourself in.

  • hipCRANK
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