The Twilight Zone (1959-1964) was a great show; the first revival (1985-1989) set a precedent for its resurrection, an exercise that's been repeated twice more. The '80s TZ makes some changes from Serling's old format. We never see the narrator; there isn't narration for the opening and closing of every story. But I actually think that's respectable - I really felt, watching the first season, that the makers recognized their show couldn't be the same as Serling's, and thought it was more important to try to capture the spirit of it. Also notable is that, despite the fact that non-sitcoms are expected to have hour-long episodes, the makers evidently agreed with Serling that the stories shouldn't be that long, telling two to three stories per episode. The flash of Serling in the new opening is a nice touch to show how important they felt it was to get the spirit right.
The problem in trying to capture the spirit of the original TZ is that the '80s series is inconsistent. It's hard to rate individual episodes, in fact, when the segments within the episodes are inconsistent - "To See the Invisible Man" is a novel concept but is followed by something stupid (and stupidly titled) like "Tooth and Consequences." ("The Elevator" is also in there- creepy and atmospheric, well made, though not totally TZ-esque). "Take My Life...Please!" is a weak piece that sets up "Devil's Alphabet", which is well made and atmospheric.
There are some great stories in season 1: "Nightcrawlers" features some phenomenal acting from Scott Paulin and spectacular scenes recalling the nightmare of the Vietnam War. Ditto Glynn Turman in "Paladin of the Lost Hour", despite the humiliating fact that episode was directed by Alan Smithee.
Ultimately, would Serling approve? I think, in answering that question, you have to keep in mind the fact that Serling himself wasn't infallible. There are less than stellar episodes of the original, and he personally wrote several of them.
Unfortunately, there's a noticeable quality drop in season 2, when the network began to lose faith in the show. "Nightsong" is soap opera-esque and predictable; something like "Lost and Found" is a jokey throwaway before going into "The World Next Door" which is a drag despite starring Jeffrey Tambor (who appeared in the brilliant "Dead Woman's Shoes", a superior reimagining of an original TZ episode). However, "Shelter Skelter" is great, followed by "Private Channel" which is gripping enough. The quality drop is steeper and more severe in season 3, where the narrator Charles Aidman (who didn't really sound like Serling but had the right tone) was replaced by Robin Ward, who sounded way too upbeat. The acting across season 3 becomes, on average, terrible; the production values are sacrificed. That said, there's still some great work here; I particularly found "The Hellgramite Method" terrifying. Altogether, the '80s TZ is head and shoulders above the 2000s version, but neither can touch Serling.
The problem in trying to capture the spirit of the original TZ is that the '80s series is inconsistent. It's hard to rate individual episodes, in fact, when the segments within the episodes are inconsistent - "To See the Invisible Man" is a novel concept but is followed by something stupid (and stupidly titled) like "Tooth and Consequences." ("The Elevator" is also in there- creepy and atmospheric, well made, though not totally TZ-esque). "Take My Life...Please!" is a weak piece that sets up "Devil's Alphabet", which is well made and atmospheric.
There are some great stories in season 1: "Nightcrawlers" features some phenomenal acting from Scott Paulin and spectacular scenes recalling the nightmare of the Vietnam War. Ditto Glynn Turman in "Paladin of the Lost Hour", despite the humiliating fact that episode was directed by Alan Smithee.
Ultimately, would Serling approve? I think, in answering that question, you have to keep in mind the fact that Serling himself wasn't infallible. There are less than stellar episodes of the original, and he personally wrote several of them.
Unfortunately, there's a noticeable quality drop in season 2, when the network began to lose faith in the show. "Nightsong" is soap opera-esque and predictable; something like "Lost and Found" is a jokey throwaway before going into "The World Next Door" which is a drag despite starring Jeffrey Tambor (who appeared in the brilliant "Dead Woman's Shoes", a superior reimagining of an original TZ episode). However, "Shelter Skelter" is great, followed by "Private Channel" which is gripping enough. The quality drop is steeper and more severe in season 3, where the narrator Charles Aidman (who didn't really sound like Serling but had the right tone) was replaced by Robin Ward, who sounded way too upbeat. The acting across season 3 becomes, on average, terrible; the production values are sacrificed. That said, there's still some great work here; I particularly found "The Hellgramite Method" terrifying. Altogether, the '80s TZ is head and shoulders above the 2000s version, but neither can touch Serling.