I've been following and supporting Hex Media and their output since I kickstarted their earlier production of The Black Gloves. Ever since, I've been helping to crowdfund all their subsequent productions sight unseen and picked up their entire back catalogue.
Automata (aka The Devil's Machine), like Lawrie Brewster's other works, draws a great deal of inspiration from classical Gothic aesthetics, and the British tradition of Hammer Films. The vivid colours in this film and the aristocratic setting might also invoke obscure giallo deja vu for some as well.
Those familiar with the other films from Hex will notice recurring actors, but showcasing performances in a different style than previous outings. As less well-known actors, they do a great job disproving the notion that indie horror actors are less talented, as this cast turns in fantastic performances all round.
The cinematography and production scale are great highlights of this film. The scope of the narrative and production value are very impressive, especially when considering the indie roots of the crew. You'll be reminded of Barry Lyndon with period-appropriate garb and aesthetics, all captured beautifully and cinematically.
I'd have no hesitations supporting whatever Lawrie Brewster turns his hand to next and encourage any horror fans who are looking for a taste of classical horror (but still with a modern edge) to check this one out.
Automata (aka The Devil's Machine), like Lawrie Brewster's other works, draws a great deal of inspiration from classical Gothic aesthetics, and the British tradition of Hammer Films. The vivid colours in this film and the aristocratic setting might also invoke obscure giallo deja vu for some as well.
Those familiar with the other films from Hex will notice recurring actors, but showcasing performances in a different style than previous outings. As less well-known actors, they do a great job disproving the notion that indie horror actors are less talented, as this cast turns in fantastic performances all round.
The cinematography and production scale are great highlights of this film. The scope of the narrative and production value are very impressive, especially when considering the indie roots of the crew. You'll be reminded of Barry Lyndon with period-appropriate garb and aesthetics, all captured beautifully and cinematically.
I'd have no hesitations supporting whatever Lawrie Brewster turns his hand to next and encourage any horror fans who are looking for a taste of classical horror (but still with a modern edge) to check this one out.