It was interesting to see silent film star John Gilbert, who became known to me as co-starring in four films with Greta Garbo with beautiful chemistry with each other on and off screen, in a talkie after being in many silent films. His talkies though don't have the best of reputations, which along with the hatred between him and Louis B Mayer hurt his reputation as an actor too. Along with Gilbert, the premise was an interesting one and it's hard to go wrong with Lewis Stone and C Aubrey Smith.
'The Phantom of Paris' has its fair share of flaws and is not a great film (plus its curious title makes one expect something else entirely somewhat), but to me it does prove that not all of Gilbert's talkies were bad. While not near up to the same level as the best of his silent films, 'The Phantom of Paris' is one of Gilbert's better faring talkies with him as a lead and features one of his best talkie performances. Proving that he was more than up to the task at carrying a film as its main star and that there was more to him than a co-romantic lead.
A lot of good things can be seen here. The best aspect is the cast, with Gilbert being very good indeed in the lead role. Showing some great dramatic chops in the latter stages of the film. Leila Hyams is alluring and charming and Stone is typically sincere and reserved. Ian Keith is suitably sinister and Natalie Moorhead is just as effectively sleazy. Smith is great, not unexpectedly, despite appearing early on in the film and not for long. In fact, the cast do so well with what they have and suit their characters ideally that they are worth at least a third of my overall rating for 'The Phantom of Paris'.
Direction is competent, if more in the first half than the second. 'The Phantom of Paris' was clearly made with care and effort, evident in some beautifully sophisticated costuming and not too static photography. The dialogue doesn't come over as awkward and the first half is very intriguing and compelling.
Unfortunately, 'The Phantom of Paris' does lose its way once Bibi escapes and suffers from a lack of energy and tension and from getting increasingly silly. More character development would have been more welcome, only Bibi rises above complete sketchiness so it is a miracle that the cast are as good as they are, and the chemistry needed more spark.
Where the film really falls down is agreed with everything to do with the impersonation, which is so implausible and not believable for a second. How he was not recognised and mistaken for the man he impersonates so easily when there are a fair share of blatantly obvious differences between the two characters (different facial features and a not particularly minor height difference) beggars belief, even when trying to not take things so seriously.
Overall, not great but not half bad at all and one of Gilbert's better talkies. 6/10
'The Phantom of Paris' has its fair share of flaws and is not a great film (plus its curious title makes one expect something else entirely somewhat), but to me it does prove that not all of Gilbert's talkies were bad. While not near up to the same level as the best of his silent films, 'The Phantom of Paris' is one of Gilbert's better faring talkies with him as a lead and features one of his best talkie performances. Proving that he was more than up to the task at carrying a film as its main star and that there was more to him than a co-romantic lead.
A lot of good things can be seen here. The best aspect is the cast, with Gilbert being very good indeed in the lead role. Showing some great dramatic chops in the latter stages of the film. Leila Hyams is alluring and charming and Stone is typically sincere and reserved. Ian Keith is suitably sinister and Natalie Moorhead is just as effectively sleazy. Smith is great, not unexpectedly, despite appearing early on in the film and not for long. In fact, the cast do so well with what they have and suit their characters ideally that they are worth at least a third of my overall rating for 'The Phantom of Paris'.
Direction is competent, if more in the first half than the second. 'The Phantom of Paris' was clearly made with care and effort, evident in some beautifully sophisticated costuming and not too static photography. The dialogue doesn't come over as awkward and the first half is very intriguing and compelling.
Unfortunately, 'The Phantom of Paris' does lose its way once Bibi escapes and suffers from a lack of energy and tension and from getting increasingly silly. More character development would have been more welcome, only Bibi rises above complete sketchiness so it is a miracle that the cast are as good as they are, and the chemistry needed more spark.
Where the film really falls down is agreed with everything to do with the impersonation, which is so implausible and not believable for a second. How he was not recognised and mistaken for the man he impersonates so easily when there are a fair share of blatantly obvious differences between the two characters (different facial features and a not particularly minor height difference) beggars belief, even when trying to not take things so seriously.
Overall, not great but not half bad at all and one of Gilbert's better talkies. 6/10