And soon the darkness... is above all an affective film. it mixes one fear : the fear of being in an unknown place with the fear of being alone and helpless. and exploits them well because we can feel the fear in the main character. due to the lack of knowledge of french, through the landscapes with no end, through the music and mostly because she doesn't know who can trust.
usually in movies with few characters you can ditch the suspects one by one and reach a conclusion that, if not right, at least can be close to the original culprit. here is harder because you don't have access to the backstories of this characters - you're watching this through the eyes of a foreigner, of someone that's knowing them for the first time. that makes also harder for the movie to give clues because you never know if they are honest or just tricking her. so, doesn't matter how many clues can give you because you can't distinguish lie from truth.
the movie doesn't uses a lot of locations: one road, two coffees, a pinch of the woods, the small police station where the police lives. but mixes cleverly those environments and doesn't make you comfortable on any of them. you're living the film as a foreigner, through the eyes of the outsiders. the music also helps creating that ambiance.
i wouldn't say i loved the movie because now a days some stories like this are better told, but for a movie from 1970 with a low budget and few characters...this does show you don't need a lot of resources to make a clever film. you just need a nice script and know how to create an environment where the script works. and actors that can do the part too. i really enjoyed it and it did keep me engaged because wel.. you don't know what really happened and who did it.
it's a very interesting gem that should be rediscovered. and also easier to access. deserves full attention as the very good thriller that it is.
usually in movies with few characters you can ditch the suspects one by one and reach a conclusion that, if not right, at least can be close to the original culprit. here is harder because you don't have access to the backstories of this characters - you're watching this through the eyes of a foreigner, of someone that's knowing them for the first time. that makes also harder for the movie to give clues because you never know if they are honest or just tricking her. so, doesn't matter how many clues can give you because you can't distinguish lie from truth.
the movie doesn't uses a lot of locations: one road, two coffees, a pinch of the woods, the small police station where the police lives. but mixes cleverly those environments and doesn't make you comfortable on any of them. you're living the film as a foreigner, through the eyes of the outsiders. the music also helps creating that ambiance.
i wouldn't say i loved the movie because now a days some stories like this are better told, but for a movie from 1970 with a low budget and few characters...this does show you don't need a lot of resources to make a clever film. you just need a nice script and know how to create an environment where the script works. and actors that can do the part too. i really enjoyed it and it did keep me engaged because wel.. you don't know what really happened and who did it.
it's a very interesting gem that should be rediscovered. and also easier to access. deserves full attention as the very good thriller that it is.