While there are not many personal favourites from Ernst Lubitsch early German silent films, done before he had found his signature style, there were certainly gems. 'The Doll' and 'The Oyster Princess' being two examples. The late 1910s-early 20s was a very interesting and worthwhile period in Lubitsch's career, especially to see how he fared early on in his career before properly finding his style with 'The Love Parade' and got even stronger from there.
'The Wild Cat' is another film from the German silent film period and lives up to its wild name all right. Is it one of Lubitsch's very best? No, nowhere close and it is a long way from being a classic. But it is one of the better and more entertaining films of his from his German silent film period in my view, and if asked whether it is recommended my answer would be yes as long as you know what to expect. Which is an entertaining and inoffensive ride but not yet the witty and sophisticated Lubitsch that he became very well known justifiably for.
Admittedly, 'The Wild Cat's' story is very thin, and it is also one that doesn't have a lot of substance and can be a little too controlled in spots.
Maybe it could have done with a little more variety in places.
However, 'The Wild Cat' is well made visually. Really loved the mountain scenery and exteriors and the photography is not claustrophobic or gimmicky, some of it came over as quite elegant to me. Lubitsch's direction is not refined yet, but he clearly seemed to know what he was doing and didn't seem uncomfortable with it. The music is unobtrusive and is not large in scoring or over-complicated rhythmically, allowing the comedy to speak.
Something that does very much happen here. The humour is plenty and it is never less than amusing and actually even very funny at its best (if one disagrees that's fine). It is of the broad kind, not the sophisticated and witty kind that Lubitsch later would be famous for, but not in a way that gets overly silly or vulgar. The situations do suspend a bit of disbelief but have a wild energy about them and don't resort heavily in repetition, while the energy is always there and the characters didn't come over as dull or annoying here. The cast do very well, with Pola Negri handling her very physical comedy with ease and her comic timing is far from flabby.
All in all, very enjoyable if not a Lubitsch essential. 8/10
'The Wild Cat' is another film from the German silent film period and lives up to its wild name all right. Is it one of Lubitsch's very best? No, nowhere close and it is a long way from being a classic. But it is one of the better and more entertaining films of his from his German silent film period in my view, and if asked whether it is recommended my answer would be yes as long as you know what to expect. Which is an entertaining and inoffensive ride but not yet the witty and sophisticated Lubitsch that he became very well known justifiably for.
Admittedly, 'The Wild Cat's' story is very thin, and it is also one that doesn't have a lot of substance and can be a little too controlled in spots.
Maybe it could have done with a little more variety in places.
However, 'The Wild Cat' is well made visually. Really loved the mountain scenery and exteriors and the photography is not claustrophobic or gimmicky, some of it came over as quite elegant to me. Lubitsch's direction is not refined yet, but he clearly seemed to know what he was doing and didn't seem uncomfortable with it. The music is unobtrusive and is not large in scoring or over-complicated rhythmically, allowing the comedy to speak.
Something that does very much happen here. The humour is plenty and it is never less than amusing and actually even very funny at its best (if one disagrees that's fine). It is of the broad kind, not the sophisticated and witty kind that Lubitsch later would be famous for, but not in a way that gets overly silly or vulgar. The situations do suspend a bit of disbelief but have a wild energy about them and don't resort heavily in repetition, while the energy is always there and the characters didn't come over as dull or annoying here. The cast do very well, with Pola Negri handling her very physical comedy with ease and her comic timing is far from flabby.
All in all, very enjoyable if not a Lubitsch essential. 8/10