You know from the first minute that this is a different kind of train thriller. The first shots are in the station, lots of people bustling about, but instead of "busy" music on the soundtrack, the music here is slow, and it is cool jazz. This sets up the detached tone from the beginning. Some of the characters are nervous, even hysterical, but the director keeps everything at arm's length.
The story is very simple: A man on the train is fleeing after killing his wife. It is not known whether he is alone or with a woman. The movie concentrates on two couples, a single woman, and a single man. The three women move between the men--are they ordinary women looking for companionship, or is one of them trying to help, or escape from, the killer?
The scene in which the murderer is caught will recall the same scene in M and, of course, since the movie is Polish, the hunting down of fleeing, terrified people which so recently happened on Polish soil. The photography, excellent throughout, is especially beautiful and powerful in this scene. The director makes us aware of the symbolism, but not in an obtrusive way. The man who picks up the Cross and what he does with it quietly makes the point that the murderer and his pursuers are not different in kind, only in degree.
The story is very simple: A man on the train is fleeing after killing his wife. It is not known whether he is alone or with a woman. The movie concentrates on two couples, a single woman, and a single man. The three women move between the men--are they ordinary women looking for companionship, or is one of them trying to help, or escape from, the killer?
The scene in which the murderer is caught will recall the same scene in M and, of course, since the movie is Polish, the hunting down of fleeing, terrified people which so recently happened on Polish soil. The photography, excellent throughout, is especially beautiful and powerful in this scene. The director makes us aware of the symbolism, but not in an obtrusive way. The man who picks up the Cross and what he does with it quietly makes the point that the murderer and his pursuers are not different in kind, only in degree.