Have always loved films with mystery and suspense, so 'Dangerous Crossing' immediately had me sold. Was also very encouraged seeing a lot of favourable reviews for 'Dangerous Crossing', as well as some that weren't so much. The setting sounded very atmospheric and a great location for this type of story. The cast was also a selling point, Michael Rennie is always dependable and Jeanne Crain impressed me hugely in 'Pinky', enough to make me want to see more of her work.
While 'Dangerous Crossing' didn't strike me as a great film and could have been better than it was, especially considering that its potential was hardly small in the first place, a lot works in its favour and far outweighs the not so good. And if asked as to whether to recommend 'Dangerous Crossing', my answer would be a solid if not quite enthusiastic yes. There are a lot better films of this type and there are also worse, if this is the sort of film that appeals to you there should be plenty to like even if it doesn't reach masterpiece level.
'Dangerous Crossing' has its flaws. The melodrama does get a little much in the latter stages and Crain's character as others have said is pretty one-dimensional and could have done with more subtlety in the writing.
Also found the ending somewhat abrupt, although to me it actually wasn't a predictable one. Although the use of the foghorn is creepy and leaves one feeling unsettled, it could have been used less and not emphasised as much as it was.
On the other hand, 'Dangerous Crossing' looks great. Very beautifully and atmospherically photographed with effective use of fog and the setting has class and creepiness. Although there are reservations with its overuse, the foghorn does give one the creeps. The dialogue on the most part is thoughtful and tightly structured until getting overwrought towards the end. The direction keeps the film moving at a crisp clip.
The story is intriguing and suspenseful generally, the mystery not routine or implausible. Rennie is admirably restrained and sympathetic and Crain does more than credibly and is fully committed in a difficult role of this nature to pull off. The rest of the cast are solid.
Concluding, good if not great. 7/10
While 'Dangerous Crossing' didn't strike me as a great film and could have been better than it was, especially considering that its potential was hardly small in the first place, a lot works in its favour and far outweighs the not so good. And if asked as to whether to recommend 'Dangerous Crossing', my answer would be a solid if not quite enthusiastic yes. There are a lot better films of this type and there are also worse, if this is the sort of film that appeals to you there should be plenty to like even if it doesn't reach masterpiece level.
'Dangerous Crossing' has its flaws. The melodrama does get a little much in the latter stages and Crain's character as others have said is pretty one-dimensional and could have done with more subtlety in the writing.
Also found the ending somewhat abrupt, although to me it actually wasn't a predictable one. Although the use of the foghorn is creepy and leaves one feeling unsettled, it could have been used less and not emphasised as much as it was.
On the other hand, 'Dangerous Crossing' looks great. Very beautifully and atmospherically photographed with effective use of fog and the setting has class and creepiness. Although there are reservations with its overuse, the foghorn does give one the creeps. The dialogue on the most part is thoughtful and tightly structured until getting overwrought towards the end. The direction keeps the film moving at a crisp clip.
The story is intriguing and suspenseful generally, the mystery not routine or implausible. Rennie is admirably restrained and sympathetic and Crain does more than credibly and is fully committed in a difficult role of this nature to pull off. The rest of the cast are solid.
Concluding, good if not great. 7/10