Never Tear Us Apart: annoying anti-southern bias, typical of American liberals. Once again only Southern hicks can be cannibals (despite the fact that so many modern-day cannibals were/are city-based, and the fact that education has nothing to do with it). But I guess liberals would have us believe that cannibals can only stem from the South and can never be Harvard graduates who work for the Huffington Post or New York Times. (Huff "journalists" regularly eat their readers' brains so they are zombies as well as cannibals.)
Still, a nice little twist though nothing monumental. 5/10
Awake: utterly pointless crap about a boy who is a kind of semi-zombie or whatever. 3/10
Crazy For You: a comedic story about a serial-killer looking for love. 5/10
The Mill: a Gothic horror, filmed in a weird sort of semi-Svankmajer style, so fans of Tool should love it. 5/10
Roid Rage: This is the sort of thing Tarantino could have made if he were even less intelligent, if he had a small budget, had much less talent, and worshiped Troma films instead of 70s action movies. Fairly bad, but I suppose still better than his recent spate of Leonardo Di Crapio vehicles. 4/10
Feeder: An aspiring indie rock loser with terminal tone-deafness and untuned guitars gets the gift of musicality through a series of increasingly demanding Satanic sacrifices. Well... "gift": he becomes a bloody boring blues musician instead! Strangely enough, a record company shows interest in his generic ditties and he continues with the mayhem. There is a solid plot-twist, but it's another unexceptional story. 6/10
Timothy: rather predictable, unoriginal, pointless story about a killer bunny. In Spanish, with a kid who ironically has huge bunny teeth. 4/10
Ghost Train: perhaps the best story among mediocrities. 6/10
Horrific: not so horrific, just comedic and not in a very interesting way either. 4/10
Still, a nice little twist though nothing monumental. 5/10
Awake: utterly pointless crap about a boy who is a kind of semi-zombie or whatever. 3/10
Crazy For You: a comedic story about a serial-killer looking for love. 5/10
The Mill: a Gothic horror, filmed in a weird sort of semi-Svankmajer style, so fans of Tool should love it. 5/10
Roid Rage: This is the sort of thing Tarantino could have made if he were even less intelligent, if he had a small budget, had much less talent, and worshiped Troma films instead of 70s action movies. Fairly bad, but I suppose still better than his recent spate of Leonardo Di Crapio vehicles. 4/10
Feeder: An aspiring indie rock loser with terminal tone-deafness and untuned guitars gets the gift of musicality through a series of increasingly demanding Satanic sacrifices. Well... "gift": he becomes a bloody boring blues musician instead! Strangely enough, a record company shows interest in his generic ditties and he continues with the mayhem. There is a solid plot-twist, but it's another unexceptional story. 6/10
Timothy: rather predictable, unoriginal, pointless story about a killer bunny. In Spanish, with a kid who ironically has huge bunny teeth. 4/10
Ghost Train: perhaps the best story among mediocrities. 6/10
Horrific: not so horrific, just comedic and not in a very interesting way either. 4/10