Film adaptation of a popular radio show, from United Artists and director Harold Schuster. Tom Breneman stars as himself, the host of a very popular early morning radio show broadcast from his restaurant. The film tracks the lives of a few of his guests from one morning's show: young romance between Minnesota farm girl Dorothy (Bonita Granville) and US Navy man Ken (Edward Ryan); an elderly widow (Beulah Bondi) who gets hit by a car on the way to the show; Elvira (ZaSu Pitts) who wants to win the show's weirdest hat contest; and Frances (Billie Burke), who doesn't know that her husband (Raymond Walburn) is cheating on her. Also featuring musical performances from Andy Russell, Spike Jones & His City Slickers, and the King Cole Trio. With appearances by Herman Bing, Byron Foulger, Minerva Urecal, and Hedda Hopper as herself.
Breakfast in Hollywood was one of the most successful radio shows of the 1940's, running from 1941 to 1949, and broadcast on three networks simultaneously. Judging by the film, the show was a mix of musical performances and host Breneman wandering around the restaurant floor where the show originated, asking humorous questions of the audience, and holding various lottery drawings and contests for minor prizes. The radio show was at its height of popularity when this film was produced by Breneman. The various fictional storylines are goofy fluff, but I enjoyed seeing this snapshot of an American cultural relic that seems largely forgotten today. Add the music performances from Russell, Spike Jones' comedic band, and Nat King Cole in his early days, and this is a worthy pastime, saved from the waste bin of history. Breneman, who in the film looked at least 15 years older than his actual age, died suddenly in 1948 at age 45, and his show soon followed.
Breakfast in Hollywood was one of the most successful radio shows of the 1940's, running from 1941 to 1949, and broadcast on three networks simultaneously. Judging by the film, the show was a mix of musical performances and host Breneman wandering around the restaurant floor where the show originated, asking humorous questions of the audience, and holding various lottery drawings and contests for minor prizes. The radio show was at its height of popularity when this film was produced by Breneman. The various fictional storylines are goofy fluff, but I enjoyed seeing this snapshot of an American cultural relic that seems largely forgotten today. Add the music performances from Russell, Spike Jones' comedic band, and Nat King Cole in his early days, and this is a worthy pastime, saved from the waste bin of history. Breneman, who in the film looked at least 15 years older than his actual age, died suddenly in 1948 at age 45, and his show soon followed.