Ooh boy, here's a toughie.
Chadwick Boseman, we barely knew ye. Two seconds after you broke onto the A List, you left us all in shock when you departed this world, the consensus being that it was well before your time. While arguments can be made one way or the other about such things, one thing is certain:
You made an impact.
MESSAGE FROM THE KING is not the best movie I have ever seen, unfortunately. It has pacing issues, continuity problems, and questionable dialogue choices. All that being said, Chadwick steals every scene with his powerful performance, and at least that's worth something.
It's not all bad. A man from South Africa comes to Los Angeles, searching for what happened to his missing sister. Without spoiling too much of the film, he finds out, and then wants to settle scores for what has happened.
In an attempt to create an original plot, some things get lost. There is a scent of mystery here, well played by the creators... we don't know who Jacob King is, or WHAT he is, beyond being a loving sibling who's well beyond furious as to the events as they unfold, and that part of the film works fine. In an effort to keep the mystery going, we are given a seedy, not terribly friendly portrait of Los Angeles life, and the downfalls some who go looking for dreams fall into.
Teresa Palmer plays a kindly neighbor, one who is involved in doing whatever is necessary to keep the roof over her and her daughter's heads. There is chemistry here, at first easily dismissed, but I have to speak about a scene which is my favorite of the film, in which she surprises him in a diner, sits down with him, and thanks him for not being the same as everyone else she's met since she fell into the luring trap of Hollywood. The exchange between the two of them is touching, heartfelt, heart wrenching, and immediately breathes life into what could have been easily written off as a simple revenge movie.
The level of violence here is high, perhaps a bit too high in certain scenes. Violence done realistically is rarely a treat to the eyes... I remember a scene from DRIVE in which a woman's head is taken off with a shotgun blast and you can see every gory detail of brain, blood, and bone as her head explodes in slow motion, and I find it jarring every time I see the movie. It doesn't need to be there, and sometimes in this film the violence comes off in a similar fashion.
I also mentioned the dialogue before... there's a lot of empty words thrown in the usual manner of macho bull and cliched banter. Alfred Molina and Luke Evans, specifically, have the worst lines to spout here, as they have to shout pointless insults back and forth at each other that only serve to take up time, instead of entertain us or keep the plot moving.
There's also a few plot twists that seem overly heavy, once again done for the sake of originality but lacking in a real sense of logic or reasoning that you accept just because you don't really have any other choice once you get into the parts of the movie that really work... you kind of just have to roll with the punches.
All in all, it's not bad. If you love and miss Chadwick, give it a roll. It's not as good as PANTHER. I suppose, in the end, when we remember him, nothing he did is going to compare with that.
Godspeed, Mr. Boseman. You will be missed.
Chadwick Boseman, we barely knew ye. Two seconds after you broke onto the A List, you left us all in shock when you departed this world, the consensus being that it was well before your time. While arguments can be made one way or the other about such things, one thing is certain:
You made an impact.
MESSAGE FROM THE KING is not the best movie I have ever seen, unfortunately. It has pacing issues, continuity problems, and questionable dialogue choices. All that being said, Chadwick steals every scene with his powerful performance, and at least that's worth something.
It's not all bad. A man from South Africa comes to Los Angeles, searching for what happened to his missing sister. Without spoiling too much of the film, he finds out, and then wants to settle scores for what has happened.
In an attempt to create an original plot, some things get lost. There is a scent of mystery here, well played by the creators... we don't know who Jacob King is, or WHAT he is, beyond being a loving sibling who's well beyond furious as to the events as they unfold, and that part of the film works fine. In an effort to keep the mystery going, we are given a seedy, not terribly friendly portrait of Los Angeles life, and the downfalls some who go looking for dreams fall into.
Teresa Palmer plays a kindly neighbor, one who is involved in doing whatever is necessary to keep the roof over her and her daughter's heads. There is chemistry here, at first easily dismissed, but I have to speak about a scene which is my favorite of the film, in which she surprises him in a diner, sits down with him, and thanks him for not being the same as everyone else she's met since she fell into the luring trap of Hollywood. The exchange between the two of them is touching, heartfelt, heart wrenching, and immediately breathes life into what could have been easily written off as a simple revenge movie.
The level of violence here is high, perhaps a bit too high in certain scenes. Violence done realistically is rarely a treat to the eyes... I remember a scene from DRIVE in which a woman's head is taken off with a shotgun blast and you can see every gory detail of brain, blood, and bone as her head explodes in slow motion, and I find it jarring every time I see the movie. It doesn't need to be there, and sometimes in this film the violence comes off in a similar fashion.
I also mentioned the dialogue before... there's a lot of empty words thrown in the usual manner of macho bull and cliched banter. Alfred Molina and Luke Evans, specifically, have the worst lines to spout here, as they have to shout pointless insults back and forth at each other that only serve to take up time, instead of entertain us or keep the plot moving.
There's also a few plot twists that seem overly heavy, once again done for the sake of originality but lacking in a real sense of logic or reasoning that you accept just because you don't really have any other choice once you get into the parts of the movie that really work... you kind of just have to roll with the punches.
All in all, it's not bad. If you love and miss Chadwick, give it a roll. It's not as good as PANTHER. I suppose, in the end, when we remember him, nothing he did is going to compare with that.
Godspeed, Mr. Boseman. You will be missed.